Marc Levy runs an architectural firm and divides his time between America and France. IF ONLY IT WERE TRUE is his first novel.
YA-First-time novelist Levy scored a bestseller with this book in his native France. It is a light, frothy tale of love conquering all, even a coma. Lauren Kline, a medical resident at San Francisco Memorial Hospital, is young, beautiful, and content with her life. Then a faulty steering mechanism in her old clunker of a car causes her to suffer head injuries in a shattering car accident. As she later explains, she could hear everything around her in the hospital recovery room, but could neither move, see, nor speak. She learns that she is languishing in a coma, having somehow survived being pronounced dead. Enter Arthur, an architect and partner in a restoration firm, who recently moved into an apartment and finds it comes equipped with an unexpected bonus-Lauren. Well, her spirit, anyway, since her body continues to reside in the very hospital in which she worked. She's not dead, so the apartment-dwelling Lauren is not actually a ghost, and she seems to have form and substance, but only Arthur can see and hear her. Readers learn that for months she has been psychically transporting her spirit all over the city until she finally comes back to her own apartment-now Arthur's. This feel-good story is an easy and engrossing read, and it should be particularly popular with teen girls.-Carol DeAngelo, Kings Park Library, Burke, VA Copyright 2000 Cahners Business Information.
Arthur returns home to find a lovely young woman--whose body lies comatose in a hospital far away. Steven Spielberg's DreamWorks bought the rights. Copyright 2000 Cahners Business Information.
This is the book, by a French architect based in San Francisco, that made a huge Hollywood deal, and then a seven-figure sale to Pocket Books. It's an interesting study in the difference between a movie concept and a novel. One can imagine it as an offbeat romantic comedy on the screen, with charismatic actors and some nifty special effects, but as a book it's slight and one-dimensional--and it doesn't help that Levy has no ear whatsoever for American speech patterns. The gimmick at the heart of the story is a mixture of the movie notion of "meeting cute" and the Invisible Man tradition. Arthur, a young architect in San Francisco, finds a beautiful girl hiding in the closet of an apartment he has just bought. The problem is, only he can see her; she is, in fact, a spirit emanation of Lauren, a nurse who is lying in a coma at a nearby hospital after a near-fatal accident; the apartment used to be hers. After initially rejecting her explanation, Arthur begins to fall for Lauren, and determines that he must remove her comatose body from the hospital before her grieving mother can bring herself to cut off her life support. Helped by his skeptical business partner, Arthur accomplishes this with a borrowed ambulance and Lauren's knowledge of how the hospital works. Then the "body," along with the attendant invisible Lauren, is spirited away to the Carmel hideaway Arthur has kept since his beloved mother's death from cancer. (Life with mother is rendered in a series of saccharine scenes that would embarrass a maker of life insurance commercials.) George Pilger, one of the most improbable American police inspector ever to grace the pages of a novel, gets onto Arthur's escapade and goes down to Carmel to confront him. Will Arthur be arrested? Will Lauren die? In a gentle fable like this, there can be no real surprises. What is surprising is that so slender a tale, which actually reads more like a draft of a screenplay, should have appeared as an (almost) full-length book. (May) Copyright 2000 Cahners Business Information.