Literary horror meets metafictional mystery in Iain Reid's 2016 debut novel, now available in a film tie-in edition to coincide with the release of the Netflix adaptation.
Iain Reid is the author of two critically acclaimed comic memoirs, One Bird’s Choice (winner of the CBC Bookie Award for Best Nonfiction Book of the Year) and The Truth About Luck (named by Canada’s Globe and Mail as one of the best books of 2013). Reid received the 2015 RBC Taylor Emerging Author award. He lives in Kingston, Otario.
‘I’m Thinking of Ending Things is one of the best debut novels I’ve
ever read. Iain Reid has crafted a tight, ferocious little book,
with a persistent tenor of suspense that tightens and mounts toward
its visionary, harrowing final pages.’
*Scott Heim, author of Mysterious Skin and We Disappear*
'Iain Reid's I'm Thinking of Ending Things is an engaging and
bizarre dialogue between normality and weirdness...in a novel this
twisted it shouldn't come as a surprise that its ending is even
stranger than the narrative route that takes us there—but it does.
Reid's novel is a road trip to the heart of creepiness.'
*Sjón, author of The Blue Fox*
‘Here are some near-certainties about I’m Thinking of Ending
Things. Number one: you’re going to read it fast. Over the
course of an afternoon or an evening. The momentum is
unstoppable—once you start, you won’t be able to stop. And two:
once you race to the end and understand the significance of those
final pages, you won’t be able to stop thinking about it. This
novel will find a spot in your heart and head, and it will live
there—for days, weeks, months, or (in my case) the rest of your
life. Yes. It really is that good.’
*Craig Davidson (AKA Nick Cutter), author of Cataract City and The
Deep*
‘An unsettling psychological horror novel…I’m Thinking of Ending
Things begins with the unnamed narrator setting off with her
boyfriend to visit his parents at their remote farm, and soon
devolves into an unnerving exploration of identity, regret and
longing. Delightfully frightening.’
*Mark Medley, Globe and Mail*
‘I’m Thinking of Ending Things is an utterly compelling modern
Gothic that stakes its claim in the inner precincts of horror. Reid
builds tension the way Edgar Allen Poe builds brick walls in his
basement.’
*Wayne Grady, author of Emancipation Day*
‘An addictive metaphysical investigation into the nature of
identity, one which seduces and horrifies in equal measure. Reid
masterfully explores the perversity of loneliness and somehow also
creates a very entertaining thriller. I found myself yelling at the
characters to put their feet on the pedal and drive.’
*Heather O’Neill, author of Lullabies for Little Criminals and
Daydreams of Angels*
‘Smart, dangerous and spooky as hell. Iain Reid takes you on a
harrowing road trip that keeps you riveted until the final
destination.’
*Brian Francis, author of Fruit and Natural Order*
‘I'm Thinking of Ending Things is an ingeniously twisted nightmare
road trip through the fragile psyches of two young lovers. My kind
of fun!’
*Charlie Kaufman, screenwriter of Being John Malkovich, Adaptation
and Eternal Sunshine of the Spotless Mind*
‘A slick puzzle…it builds suspense, and delivers its twist without
skipping a beat.’
*Australian*
‘Reid’s tightly crafted tale toys with the nature of identity and
comes by its terror honestly, building a wall of intricately
layered psychological torment so impenetrable it’s impossible to
escape.’
*STARRED Review, Kirkus*
‘These characters are carefully developed and the plot takes some
frightening turns, leading to a shocking ending. The construct of
this book is brilliant and unusual and should appeal to fans of
psychological thrillers, as well as to some horror fans. A dark and
compelling debut novel, it is a most uncomfortable read but utterly
unputdownable.’
*STARRED Review, Booklist*
‘Capped with an ending that will shock and chill, this twisty tale
invites multiple readings.’
*STARRED Review, Publishers Weekly*
‘Packs a big psychological punch with a twisty story line and an
ending that will leave readers breathless.’
*STARRED Review, Library Journal*
‘Every word, every line, feels necessary…With each successive
chapter the suspense and psychological buzz gets more intense. It’s
like a movie where you almost want to turn away, but of course you
can’t.’
*Amazon Book Review*
‘A disturbing work….quite astounding.’
*Shots Magazine*
‘In addition to Cronenberg, the ghost of Stephen King hovers over
these pages...This is the boldest and most original literary
thriller to appear in some time.’
*Chicago Tribune*
‘A can’t-put-the-book-down thriller…Reid’s gradually building
spookiness and plainspoken intellectualism make I’m Thinking
of Ending Things a smart and unexpectedly fun book.’
*New York Journal of Books*
‘A deviously smart, suspenseful, intense and truly haunting book
with a fuse long and masterfully laid.’
*LA Review of Books*
‘A superbly crafted psychological thriller, with forays into the
metaphysical, which promises to keep you up at night.’
*Macleans*
‘Reid builds tension with a Hitchcockian intensity…When the pieces
fall into place, the novel comes together with a rush. It has the
sort of ending that will inspire readers to re-read the novel
immediately, to try to figure out just how it was done.’
*Toronto Star*
'A striking unnerving debut literary thriller…Edgy atmospheric
tinged with mystery at times reminiscent of Michel Faber's haunting
Under the Skin this is both a suspenseful puzzle and a
claustrophobic examination of the nature of free will and
relationships at times a philosophical tale and at others a cloudy
mystery shrouded by the uncertainties of emotions. Fascinating and
quite unlike anything else around.’
*LoveReading*
‘This is a deliciously frightening novel, Reid has a light,
idiosyncratic touch but never lets his vice-like grip of suspense
slacken for a second. Once finished, you will be hard pressed not
to start the whole terrifying journey all over again.’
*Independent*
‘A spooky literary thriller that is as beautifully written as it is
terrifying…A clever book that touches on themes of solitude and
relationships, while reeling you in with a gripping, slow-build
plot.’
*Canberra Weekly*
‘Hitchcockian in its tension… The pacing is perfect, the writing is
lyrical’
*SA Weekend*
‘In the words of his female narrator, “We can’t and don’t know what
others are thinking. We can’t and don’t know what motivations
people have been doing for the things they do. Ever. Not entirely.
This was my terrifying, youthful epiphany. We just never really
know anyone. I don’t. Neither do you.” The way this truth plays out
on a trip to meet her odd boyfriend’s even odder parents is
unrelentingly tense, expertly riding the line between paranoid and
horrifying.’
*Jezebel*
'An intelligent contemporary gothic mystery.’
*London Review of Books*
'Fusing psychological thrills with unnerving horror, this book will
stay with you long after you’ve finished reading.’
*CultureFly*
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