STEPHEN R. PLATT is a professor of Chinese history at the University of Massachusetts, Amherst. His last book, Autumn in the Heavenly Kingdom: China, the West, and the Epic Story of the Taiping Civil War, was a Washington Post Notable Book, a New York Times Book Review Editors' Choice, and won the Cundill History Prize. Platt lives with his wife and children in Northampton, Massachusetts.
“[A] superb history. . . . Platt has written an enthralling account
of the run-up to war between Britain and China during a century in
which wealth and power were shifting inexorably from East to West.
. . . Imperial Twilight is a masterpiece of the "If Only"
school of history, which holds out the tantalizing prospect of a
world that, with the right choices, could be made
perfect.” —Ian Morris, The New York Times Book Review
“Excellent. . . . A beautifully written and expert account of
western aggression in 19th-century China... Platt writes
beautifully, with a novelist's eye for detail. He skilfully weaves
through the book a cast of eccentric characters.” —Julia
Lovell, The Guardian
“Masterly. . . . [Platt's] book is important reading not only for
those interested in China's history but also for anyone seeking to
understand the explosive intersection between trade and politics
today.”
—Julian Gewirtz, The Wall Street Journal
“A fast-paced story that focuses on the individuals who made the
history. . . . Wonderful. . . . For many years, [The Opium War] was
explained not as a war waged by a nation on behalf of its druglords
but as a necessary evil designed to open up a country that had
cussedly closed itself off to the benefits of interaction with the
'civilized' world. . . . Platt's book upends these
stereotypes.” —John Pomfret, The Washington Post
“Everyone with experience in China has heard about the legacy of
the Opium War and subsequent ‘Century of Humiliation.’ But Stephen
Platt presents the buildup to this confrontation in a vivid and
fascinating way, which challenges many prevailing assumptions in
both China and the West (including some of my own). This is
narrative and analytic history of a high order, which will be read
with enjoyment by audiences around the world.” —James Fallows,
author of Our Towns and China Airborne
“A vivid picture of the history of relations between Britain and
China from the mid-18th century up to the outbreak of the war...
This thoroughly researched and delightful work is essential for
anyone interested in Chinese or British imperial history."
—Joshua Wallace, Library Journal (Starred Review)
“Clear writing and an excellent sense of story and scene-setting
mark Platt's compelling reexamination of the causes of the First
Opium War. . . . Platt brings to life the people who drive the
story, including the missionaries desperate to learn more about
China and its language, the drug smugglers who made so much money
they still have name recognition, the officials desperate to handle
a growing crisis of widespread opium addiction, and even a pirate
queen and Jane Austen's older brother. Platt's vivid and compelling
major reassessment will shift our understanding of the First Opium
War.” —Jennifer Rothschild, Booklist (Starred
Review)
“A deeply researched study of an early clash of civilizations, when
England attempted to impose its will on East Asia. . . . A fluent,
well-written exercise in revisionism, one of interest to students
of modern geopolitics as well as 19th-century
history.” —Kirkus
“A fresh perspective on the first Opium War, the conflict that
allowed Western merchants to pry open China’s riches and gain
unprecedented trading privileges. . . . Platt's research is
impeccably presented in this winning history of British and Chinese
trade.” —Publishers Weekly
“Entertaining and well-paced. . . . Platt's compelling book is a
sobering read that should focus the minds of those who like to talk
of the achievements of the Victorian age without thinking about how
those were achieved, or how they were funded.” —Peter
Frankopan, The Spectator (U.K.)
“Charming. . . . Meticulously researched. . . . A rich and finely
balanced account of how Britain and China came to
blows.” —John Keay, Literary Review (U.K.)
“With a great canvas to play upon and vivid Western and Chinese
sources into which to dip his brush, Platt paints a superbly
engaging portrait of Anglo-Chinese relations across five deeply
consequential decades. . . . Platt's talent for rich detail offers
both entertainment . . . and unease as we head towards 1839, and
find that international relations turn less on cultural
misunderstanding than on what well-informed people decide to do
with what they know.” —Christopher Harding, The Daily
Telegraph (U.K.)
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