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1. Between composition and performance; 2. Composing: from Ursprung to Fassung letzter Hand; 3. Performing: the improvisation of preservation; 4. The ergon within energeia; 5. The ethics of musical dialogue.
'... a timely and I believe much-needed reorientation of attention ... it will be found engaging reading by philosophers, musicians, and conceptually adventurous listeners.' Gary Hagsberg, Bard College