11 Jordan, September 2012 12 The Reef 14 Suffer 19 The Last Poem of Rabia Balkhi, Written in Blood on Her Bathroom Walls After Her Veins Were Cut by Her Brother 20 Kingdom 21 Knowledge 22 Message Beamed From Earth to Europa: 03:01 EST 23 Circuit 24 Afterbirth 26 The Very Hungry Animal 27 Solipsist Pantoum 28 Beholden 29 Digitalis 30 Ghazal of the Rose 31 Parables 33 The Human Child 34 Emmanuel 36 Object Permanence 37 At Peckham Rye 38 Lullaby over a Moses Basket 39 The Fair is Coming 40 Singapore 41 In the City of Shiva 43 The Day Amy Died 45 The Contradiction 46 Soft Play 48 Hamelin 49 23 Mindblowing Truths You Didn't Know About the Princess 51 The Pool of Tears 54 Pinocchios 55 Los Indignados 56 On Pie Corner 57 Sapiens 58 Leviathan 60 Lines after Rabi'ah al-Basri 63 Monte Alban 64 Boys 66 In the Horniman Museum
Clare Pollard was born in Bolton in 1978 and lives in London. She has published five collections with Bloodaxe: The Heavy-Petting Zoo (1998), which she wrote while still at school; Bedtime (2002); Look, Clare! Look! (2005); Changeling (2011), a Poetry Book Society Recommendation; and Incarnation (2017). Her translation Ovid's Heroines was published by Bloodaxe in 2013. Her first play The Weather (Faber, 2004) premiered at the Royal Court Theatre. She works as an editor, broadcaster and teacher. Her documentary for radio, My Male Muse (2007), was a Radio 4 Pick of the Year. She is co-editor, with James Byrne, of the anthology Voice Recognition: 21 poets for the 21st century (Bloodaxe Books, 2009), and translator (with Maxamed Xasan 'Alto' and Said Jama Hussein) of Asha Lul Mohamud Yusuf's The Sea-Migrations (Somali title: Tahriib), published by Bloodaxe Books in 2017 with The Poetry Translation Centre. In 2017 she took over the editorship of Modern Poetry in Translation. Her non-fiction book Fierce Bad Rabbits: The Tales Behind our Picture Books was published by Fig Tree in 2019.
'Her work really is emphatically of our time, capturing the world in its beauties and horrors in writing that's technically superb, but which also has what, if I was a sentimental chap, I'd call heart.' - Ian McMillan, The Verb; 'The themes are ancient - guilt, grief, the almost unbearable com-mingling of beauty and suffering - but shown through contemporary globalised life in all its grossness and glory...Pollard's wit, honesty and recklessness.' - Frances Leviston, Yorkshire Post, on Changeling; 'This fourth collection from the Bolton-born, East London-living, wildly talented young poet is a total beauty. Changeling witnesses Clare Pollard brilliantly re-rub some old English folktales and transcribe them to our own troubled times, as well as offering up some 40 of her own bewitching compositions. These leap ably between ancient lore and recent political outrage... this is proper knockout, stop-you-in-your-tracks stuff.' - Dazed and Confused, on Changeling