List of Figures and Tables List of Music Examples List of Audio Examples Acknowledgements Preface The Recording How to Use this Book Part One: Preliminaries Chapter 1 Setting the Stage for the Second Symphony Part Two: The Five Movements Chapter 2 First Movement: The Opening and a Two-part Exposition Chapter 3 First Movement: Development and Recapitulation Chapter 4 The Second Movement Chapter 5 A Song Serves as a Study for the Third Movement Chapter 6 The Third Movement: Scherzo and Trio Chapter 7 The Fourth Movement: "Urlicht" Chapter 8 How to Complete the Symphony Chapter 9 The Last Movement, Part 1: References to Judgment and the Airing of Themes Chapter 10 The Last Movement, Part 2: Judgment in Action, Musical Development, and Some Continuing Enigmas Chapter 11 The Last Movement, Part 3: Collapse, Climactic Resolution, a Stunning Reversal, and Celebration Appendices Appendix 1 The Formal Template for the First Movement: Sonata Form Appendix 2 Second-Movement Forms Appendix 3 The Origins, Character, and Form of the Scherzo Appendix 4 Complete Performances of Each Movement Glossary Bibliography Index
Lawrence F. Bernstein is the Karen and Gary Rose Emeritus Term
Professor of Music at the University of Pennsylvania, where he
received several awards for distinguished teaching. He also taught
at Columbia University, New York University, Princeton University,
and Rutgers University, and at the University of Chicago. His
specialty is Renaissance music, in which field he concentrated on
the French chanson and on the music of Jean d'Ockeghem. He
served as Editor-in-Chief of the Journal of the American
Musicological Society and as Founding Editor of AMS Studies in
Music. Bernstein was a fellow of the Guggenheim Foundation and of
the National Endowment for the
Humanities. In 2009, he was elected an honorary member of the
American Musicological Society.
Readers can prepare for an enlightened appreciation of the whole
symphony in performance.
*M. Dineen, CHOICE*
This book offers an intriguing, engaging and provocative account of
a monumental masterpiece. At one and the same time, Bernstein has
written a closely argued guide to the work, helpful to the
first-time listener, and also a sophisticated and often
unconventional interpretation that can inspire the scholar and
connoisseur to reflect not only on Mahler, but on how music creates
and conveys meaning and helps to fashion beliefs, faith and values.
This is a novel and valuable contribution to our understanding of
an icon within the symphonic repertoire.
*Leon Botstein, President, Bard College; Music Director, American
Symphony Orchestra*
It is as if the author were looking over Mahler's shoulder while he
composed his extraordinary second symphony. I have never read such
an illuminating, so detailed, yet always accessible analysis of
this universal masterwork on life, suffering, death, and
resurrection. Bernstein is able to convey his profound love for the
piece majestically, revealing the true meaning of the music while
sharing its composer's most intimate creative process. He is indeed
the ultimate guide who, with the use of many audio examples online,
invites everyone on a fascinating journey, to climb Mahler's
formidable mountain and see the primeval light at the summit.
*Stéphane Denève, Music Director, St. Louis Symphony Orchestra and
Brussels Philharmonic*
Bernstein proves an authoritative and engaging guide through
Mahler's epic work. His book will be of great value to any listener
or performer seeking a deeper appreciation of this keystone of the
symphonic repertory.
*Walter Frisch, Gumm/von Tilzer Professsor of Music, Columbia
University*
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