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Brian Selznick is the Caldecott Medal-winning creator of the New York Times bestsellers The Invention of Hugo Cabret, adapted into Martin Scorsese's Oscar-winning Hugo, Todd Haynes's Wonderstruck, and The Marvels. Among the celebrated picture books Selznick has illustrated are the Caldecott Honor Book The Dinosaurs of Waterhouse Hawkins by Barbara Kerley, and the Sibert Honor Book When Marian Sang by Pam Munoz Ryan. His books appear in over 35 languages. He has also worked as a bookseller, a puppeteer, and a screenwriter. He divides his time between Brooklyn, New York and San Diego, California.
Here is a true masterpiece-an artful blending of narrative, illustration and cinematic technique, for a story as tantalizing as it is touching. Twelve-year-old orphan Hugo lives in the walls of a Paris train station at the turn of the 20th century, where he tends to the clocks and filches what he needs to survive. Hugo's recently deceased father, a clockmaker, worked in a museum where he discovered an automaton: a human-like figure seated at a desk, pen in hand, as if ready to deliver a message. After his father showed Hugo the robot, the boy became just as obsessed with getting the automaton to function as his father had been, and the man gave his son one of the notebooks he used to record the automaton's inner workings. The plot grows as intricate as the robot's gears and mechanisms: Hugo's father dies in a fire at the museum; Hugo winds up living in the train station, which brings him together with a mysterious toymaker who runs a booth there, and the boy reclaims the automaton, to which the toymaker also has a connection. To Selznick's credit, the coincidences all feel carefully orchestrated; epiphany after epiphany occurs before the book comes to its sumptuous, glorious end. Selznick hints at the toymaker's hidden identity (inspired by an actual historical figure in the film industry, Georges Melies) through impressive use of meticulous charcoal drawings that grow or shrink against black backdrops, in pages-long sequences. They display the same item in increasingly tight focus or pan across scenes the way a camera might. The plot ultimately has much to do with the history of the movies, and Selznick's genius lies in his expert use of such a visual style to spotlight the role of this highly visual media. A standout achievement. Ages 9-12. (Mar.) Copyright 2007 Reed Business Information.
Gr 4-9-With characteristic intelligence, exquisite images, and a breathtaking design, Selznick shatters conventions related to the art of bookmaking in this magical mystery set in 1930s Paris. He employs wordless sequential pictures and distinct pages of text to let the cinematic story unfold, and the artwork, rendered in pencil and bordered in black, contains elements of a flip book, a graphic novel, and film. It opens with a small square depicting a full moon centered on a black spread. As readers flip the pages, the image grows and the moon recedes. A boy on the run slips through a grate to take refuge inside the walls of a train station-home for this orphaned, apprentice clock keeper. As Hugo seeks to accomplish his mission, his life intersects with a cantankerous toyshop owner and a feisty girl who won't be ignored. Each character possesses secrets and something of great value to the other. With deft foreshadowing, sensitively wrought characters, and heart-pounding suspense, the author engineers the elements of his complex plot: speeding trains, clocks, footsteps, dreams, and movies-especially those by Georges Melies, the French pioneer of science-fiction cinema. Movie stills are cleverly interspersed. Selznick's art ranges from evocative, shadowy spreads of Parisian streets to penetrating character close-ups. Leaving much to ponder about loss, time, family, and the creative impulse, the book closes with a waning moon, a diminishing square, and informative credits. This is a masterful narrative that readers can literally manipulate.-Wendy Lukehart, Washington DC Public Library Copyright 2007 Reed Business Information.
Awards and Praise for The Invention of Hugo Cabret 2008 Caldecott Medal winner National Book Award Finalist #1 New York Times Bestseller New York Times Best Illustrated Book Los Angeles Times Favorite Children's Book of the Year TIME Magazine's 100 Best Children's and Young Adult Books of All Time "Evokes wonder . . . like a silent film on paper." -- The New York Times "A fast-paced treat." -- People Magazine "Distinctive."-- The Wall Street Journal "Cinematic."-- Parenting Magazine "Captivating."-- Los Angeles Times Book Review "If your kid loves the J.K. Rowling series, then [they are] bound to enjoyThe Invention of Hugo Cabret. . ."-- Good Housekeeping * "A true masterpiece."-- Publishers Weekly, starred review * "Fade to black and cue the applause!"-- Kirkus, starred review * "Complete genius."-- Horn Book, starred review * "Breathtaking . . . shatters conventions."-- School Library Journal, starred review * "An original and creative integration of art and text."-- The Bulletin of the Center for Children's Books, starred review "Visually stunning . . . raises the bar." -- San Antonio Express-News