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Introduction: jazz narratives and sonic icons; 1. Jazz icons, heroes and myths; 2. Jazz and the disembodied voice; 3. Not a wonderful world: Louis Armstrong meets Kenny G.; 4. Men can't help acting on impulse!; 5. Witnessing and the jazz anecdote; 6. Dispelling the myth: essentialist Ellington; 7. Birth of the school.
Tony Whyton is Director of the Salford Music Research Centre at the University of Salford. As Professor of Jazz and Musical Cultures, he co-edits the internationally peer-reviewed Jazz Research Journal and, in 2011, edited the jazz volume of the Ashgate Library of Essays on Popular Music. He is the Project Leader for the HERA-funded Rhythm Changes: Jazz Cultures and European Identities programme and author of the forthcoming book Beyond A Love Supreme.
Review of the hardback: 'If the cultural construction of the music - including the education of young musicians - is to move beyond the individualist mythology into a more pragmatic sense of collective achievement, then we will indeed need, as Whyton says, a far more critical engagement with the existing icons of jazz.' Andrew Blake, The Times Higher Education Supplement Review of the hardback: 'Jazz Icons is essential reading for anyone interested in better understanding their relationship with jazz icons and it will no doubt change the way many of us perceive our relationship with jazz. Highly recommended.' Ian Patterson, allaboutjazz.com