A layered and thoughtful play about finding your place in the world when you only know a small corner of it.
Zoe Cooper's credits as a playwright include Petrification (Theatre503) Nativities (Live Theatre), Utopia (Live Theatre / Soho Theatre), The Winter’s Tale (adaptation for The Globe Theatre), Longshore Drift (Old Vic New Voices) and Learning How to Swim (ATC/Root Theatre). She has also had work developed or produced with the RSC and National Theatre Studios, as well as with Ovalhouse, Theatre503, Nabakov and the Tristan Bates Theatre. She is currently doing a PhD at Newcastle University and is an Artist in Residence for Newcastle City. She has an MPhil in Playwriting at the University of Birmingham and was on the Royal Court Young Writers' Programme. She worked as literary assistant at Hampstead Theatre and now works as a freelance dramaturg and theatre education officer.
Zoe Cooper's skilful and touching account of an unlikely teenage
friendship brings to mind The Catcher in the Rye.
*Guardian*
. . . sets tear ducts going and send stomachs soaring. You'll want
to punch the air. ****
*WhatsOnStage.com*
Jess and Joe Forever is that rare thing, a well-made play.
Beautifully crafted, sweet and succinct, the story sells itself as
ice cream on a dull summer's day.
*Exeunt Magazine*
This is a small play with a big heart, a romantic comedy that's
genuinely funny but also unexpectedly powerful. ****
*Standard*
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