Introduction Conflicts and Confrontations: The Journey of China’s Contemporary Chinese Ink Paintings.- Chapter 1 Questions.- Chapter 2 Who Is Jizi?.- Chapter 3 Paths of Contemporary Chinese Art.- Chapter 4 Philosophy of Chinese Ink Art.- Chapter 5 Spiritual as Mountains and Cosmos.- Chapter 6 Chinese Ink Art and Global Changes.- Appendix.
Dr. David Brubaker is Professor of aesthetics and painting in the School of Art and Design at Wuhan Textile University. He received an M.F.A. in Painting from the School of the Art Institute of Chicago and a Ph.D. in Aesthetics from the University of Illinois at Chicago. His publications include book chapters for Subversive Strategies in Contemporary Chinese Art, Buddhism and MerleauPonty, and Feminist Interpretations of Merleau-Ponty, as well journal articles and art reviews. He is active as a painter and printmaker.
Dr. Wang Chunchen is Associate Professor at the Central Academy of Fine Arts China, as well as an Adjunct Curator of Eli and Edythe Broad Art Museum at Michigan State University; in 2013 he is appointed as Curator of Pavilion of China at the 55th International Art Exhibition – la Biennale di Venezia. Also editor-in-chief of The Chinese Contemporary Art Series published by Springer–Verlag, Germany and Deputy Principal Editor of Journal of Contemporary Chinese Art in UK. In 2009 he was honored with the coveted Chinese Contemporary Art Award. The result of this award is the writing and publication of Art Intervenes in Society. Wang has also played a great influence on Chinese contemporary art criticism by his translations of over ten books of art history and theory: such as After the End of Art (Arthur C. Danto), The Abuse of Beauty, Art Since 1940, Theory in Contemporary Art Since 1985, etc. In 2013 his two volumes of essays are published: The Democracy of Art and The Politics of Images.
“The overall work is an excellent and rigorous study of an important artist with far-reaching ramifications for future analysis and application to the emergent global market.” (Jeffrey Dippmann, China Review International, Vol. 21 (3-4), 2014)
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