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The Key
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This year I intend to begin writing freely about a topic which, in the past, I have hesitated to mention even here. I have always avoided commenting on my sexual relations with Ikuko, for fear that she might surreptitiously read my diary and be offended-' So begins The Key - a forthright and moving tale of a middle-aged man deeply in love with his younger wife. In spite of that love, they have grown physically apart, each unsure of the other's thoughts and desires-until the day Ikuko discovers the key to her husband's diary with its desperate hints of jealousy and voyeurism. The key, she realises, to his very soul.
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A seductive portrait of marriage and sexual passion.

About the Author

Junichiro Tanizaki was born in 1886 in Tokyo, where his family owned a printing establishment. He studied Japanese literature at Tokyo Imperial University, and his first published work, a one-act play, appeared in 1910 in a literary magazine he helped to found. Tanizaki lived in the cosmopolitan Tokyo area until the earthquake of 1923, when he moved to the gentler and more cultivated Kyoto-Osaka region. There he became absorbed in the Japanese past and abandoned his superficial Westernisation. All his most important works were written after 1923, among them Naomi (1924) Some Prefer Nettles (1929), Arrowroot (1931), Ashikari (The Reed Cutter) (1932), A Portrait of Shunkin (1932), The Secret History of the Lord of Musashi (1935), several modern versions of The Tale of Genji (1941, 1954 and 1965), The Makioka Sisters (1943-48), Captain Shigemoto's Mother (1949), The Key (1956) and Diary of a Mad Old Man (1961). By 1930 he had gained such renown that an edition of his complete works was published and he was awarded an Imperial Award for Cultural Merit in 1949. In 1964 he was elected an honorary Member of the American Academy and the National Institute of Arts and Letters, the first Japanese citizen ever to receive this honour. Tanizaki died in 1965.

Reviews

"A story about sex and marriage that is as explicit as any novel on the theme since Lady Chatterley's Lover" Time "At once sensational and serious... a middle-aged man's last bout of sexual passion" New York Times "That this is a work of rare art can never be in doubt" New Statesman "A story about sex and marriage that is as explicit as any novel on the theme since Lady Chatterley's Lover" The Times "Tanizaki tells the delicate and, in the end, frightening story with great skill...this is not a book you will soon forget" Boston Herald

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