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Land Arts of the American West
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Table of Contents

  • Acknowledgments
  • Introduction
  • Practicing Land Arts: Learning to Learn
  • Muley Point
  • Double Negative
  • Great Basin Geomorphology
  • Land Mark Making by William L. Fox
  • Lake Mead
  • Practicing Land Arts: Field Trials
  • Bosque del Apache
  • El Vado Lake
  • A Native American Sense of Place: Tending the Roots of Culture; An Interview with Mary Lewis Garcia
  • Spiral Jetty
  • The Problem of Return by Ann Reynolds
  • Practicing Land Arts: On Site, Part One
  • Bisti/De-Na-Zin Wilderness
  • Chaco Canyon
  • Chaco Canyon and the Interactions of Nature, Culture, Art, and History by J. J. Brody
  • Roden Crater
  • Wupatki
  • CLUI-Wendover
  • Out There with the Center for Land Use Interpretation: An Interview with Matthew Coolidge
  • Very Large Array
  • Deming
  • Practicing Land Arts: On Site, Part Two
  • Colorado Plateau Geomorphology
  • Tipover Canyon
  • The Lightning Field
  • Turkey Springs
  • Chihuahuan Desert Geomorphology
  • Marfa
  • Boquillas Canyon
  • Juan Mata Ortiz
  • Ollas, vacas, y ferocarriles: Una conversacion en el vado; Una entrevista con Hector Gallegos y Graciela Martinez de Gallegos
  • Pots, Cows, and Trains: A Conversation at the Crossing; An Interview with Hector Gallegos and Graciela Martinez de Gallegos
  • Cebolla Canyon
  • Practicing Land Arts: Parallel Practices
  • Anaya Spring
  • Peripheral Vision by Lucy R. Lippard
  • Apache Creek
  • San Rafael Swell
  • Sun Tunnels
  • Otero Mesa
  • Blue Notch
  • Practicing Land Arts: Future Directions
  • All insets by Amanda Douberley
  • Land Arts of the American West: Program History
  • Land Arts of the American West: Bibliography
  • Photo Credits
  • Index

Promotional Information

A wide-ranging exploration of human interactions with the land over thousands of years, as well as a model for teaching art and design in the field.

About the Author

Chris Taylor is a Harvard-trained architect who teaches architecture at Texas Tech University. In conjunction with the Architecture Workers Combine, he explores the direct and interstitial forces creating landscape with built work in New Mexico, Arizona, Texas, and Pennsylvania. Bill Gilbert holds the Lannan Chair in Land Arts of the American West in the Department of Art and Art History at the University of New Mexico. His art practice explores the dialogue between environment and cultures in the Southwest. He has exhibited his work in the United States, Ecuador, the Czech Republic, Canada, and Japan.

Reviews

"Land Arts of the American West is notable for presenting an unusually wide array of artistic exploration and intervention in the Western landscape, and for having a remarkably large frame of historical reference... Given the range of sites presented and the depth of analysis that many of them receive, I can imagine that this book would have broad appeal not only to people interested in art, but also to those intrigued by landscape, land use, and Western history." J o h n B e a r d s l e y, Harvard University Graduate School of Design, author of Earthworks and Beyond: Contemporary Art in the Landscape

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