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Le siecle de George Sand [French]
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I. Presentation. II. Frank Paul BOWMAN: Essai Liminaire - The Pleasures and Pitfalls of Reading Literature in a Historical Context. III. Simone VIERNE: Histoire, Politique, Societe. Politique: le mot et la chose. Karlheinrich BIERMANN: George Sand et Victor Hugo - Deux visions 'paralleles' de la Revolution. Lucienne FRAPPIER-MAZUR: Ambiguites du politique: La musique populaire dans Consuelo et les Maitres sonneurs. Annabelle REA: La Filleule: An A-Political Sand? Michele HECQUET: Sand: Du socialisme a son abandon. Sylvie CHARRON: Claudie: Vision proletaire et feministe? Shira MALKIN: Between the Bastille and the Madeleine: Sand's Theater Politics (1832-1848). Tim WILKERSON: 'Ton vengeur veille': La Cause de George Sand at the Theatre de la Republique, April 6, 1848. Mary RICE-DEFOSSE: The Women Writer and the Worker: Social Mobility and Solidarity in La Ville noire. Carolyn BETENSKY: When the People Are Not the People: Populist Paradoxes in Sand and Michelet. Eve SOURIAN: George Sand et le coup d'Etat de Louis-Napoleon Bonaparte. Nancy ROGERS: 'He Said/She Said' in Horace. IV. Femme, feminin, feminisme. Suzan VAN DIJK: George Sand et les mouvements d'emancipation feminine: lectures etrangeres. Leslie Ann MINOT: 'Like a Prostituted Queen': Refiguring Revolutionary Misogyny in 1830s France. Cecilia FERNANDEZ: 'La Marquise': Feminism and Romantic Idealism. Chantal BERTRAND-JENNINGS: Deconstruction du genre et intertexte de l'androgyne dans Gabriel. Gislinde SEYBERT: Le Dernier amour and Its Sexual Politics. Nigel HARKNESS: Sand, Lamennais et le feminisme: le cas des Lettres a Marcie. Jacinta WRIGHT: 'Une mauvaise copie de Monsieur de Wolmar': Sand's Subversion of Rousseau's Masculinities. Dominique LAPORTE: La Figure de l'actrice et la reflexivite du discours romanesque dans Lucrezia Floriani. Michael GARVAL: Visions of the Great Woman Writer: Imagining George Sand Through Word and Image. Hilde HOOGENBOOM: Wladimir Karenine and her Biography of George Sand: One Russian Woman Writer Responds to Sand. M. Ione CRUMMY: George Sand and her Sage-femmes as an Inspiration for Jules Michelet's la Sorciere. Erica COCKE: Corinne and Consuelo: Women Artists in Dialogue with the World. Ruth Carver CAPASSO: The Empress Eugenie in Malgretout. V. Culture: art et questions sociales du XIXe-siecle. Jeanne GOLDIN: Aurore directeur de conscience. Reginald MCGINNIS: Sand and Baudelaire: The Politics of Charity. Karen MACLEAN: George and Sigmund Take Tea: Lelia Read as a Philosophical Contribution to the Pre-Psychoanalytic Tradition. David J. MICKELSEN: Building on Sand: From Narrative Zoos to Imagined Communities. Brigitte DIAZ: Portrait de l'artiste et macon: La correspondance entre George Sand et Charles Poncy (1842-1876). David A. POWELL: Music Conducive to Dream: Sand and the Musical Fantastic. Jean-Marc BAILBE: Le regard de l'artiste sur la societe chez G. Sand. Barbara M. WALDINGER: George Sand's Search for the Heart of Faust. Thelma JURGRAU: Antisemitism as Revealed in George Sand's Letters. Evelyn GOULD: Sand's Forgotten Bohemia. Maryline LUKACHER: Entre femmes: Sand/Colet et la question de Lui.

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