Preface: 'To the reader'; Introduction: The letters in the story; 1. Framing narratives and the hermeneutics of suspicion; 2. Letters and empirical evidence; 3. Cultural expectations and encapsulating letters; 4. Epistolary Peripeteia; 5. Hermeneutics of perspective.
First study of a long tradition of mixed-mode writing, largely favored by British women novelists, that combined fully-transcribed letters with third-person narrative.
Eve Tavor Bannet is George Lynn Cross Professor Emeritus at the University of Oklahoma. Her monographs include Empire of Letters (Cambridge, 2005), Transatlantic Stories and the History of Reading (Cambridge, 2011), Eighteenth-Century Manners of Reading (Cambridge, 2017) and The Domestic Revolution (2000).
'… I applaud Bannet's experimental reinvestigation of letters in
fiction, which inaugurates a different, important way of reading
them as purposefully bound to narrative.' Laura Rotunno,
Review19
'Eve Tavor Bannet … tells two intertwined stories. One uncovers the
unique mixed genre of 'narrative-epistolary fiction'; the other
examines how 18th- and 19th-century narrative-epistolary fiction
joined with romance and mystery genres to engage with empiricist
and positivist thought … I applaud Bannet's experimental
re-investigation of letters in fiction, which inaugurates a
different, important way of reading them as purposefully bound to
narrative.' Laura Rotunno, Review19
'This is a book that should be read and its insights pondered by
everyone who teaches English fiction between Aphra Behn and Anthony
Trollope … The Letters in the Story packs a huge amount of
erudition and analytic acuity into a relatively small number of
pages … a major contribution to our understanding of viewpoint and
meaning in the pre-twentieth-century novel in English.' Robert D.
Hume, The Eighteenth-Century Intelligencer
'Bannet's insightful interrogation of often-neglected as well as
familiar works encourages their reappraisal, and her caution
regarding overly trusting reading remains pertinent. …
Recommended.' J. Rosenblum, Choice
'… breaks new scholarly ground in delineating a little-known
novelistic tradition she terms “narrative-epistolary fiction” for
the first time. … this important study shows how letters embedded
in narratives are best understood as making meaning together
collaboratively. In illuminating this point, Bannet brilliantly
maps out the critical territory needed for new kinds of
conversations about the relationship between the epistolary and the
novel form, both in this period and beyond.' Crystal Biggin,
Women's Writing
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