|Other Retailer||Price Checked Time||Their Price in AUD||Our Price|
|Amazon US||yesterday||17.6||$13.56||You save $4.04|
Robert Pirsig was born in 1928 in Minneapolis, Minnesota. He held degrees in chemistry, philosophy, and journalism and also studied at Benares Hindu University in India. He was the author of the classic Zen and the Art of Motorcycle Maintenance and its sequel, Lila. He died in 2017.
Seventeen years after the publication of his still-popular road story/philosophical meditation, Zen and the Art of Motorcycle Maintenance , Pirsig offers another lengthy and absorbing investigation of how we can live well and rightly. Phaedrus, the one-named narrator ``who had written a whole book on values,'' is sailing down the Hudson River when he meets Lila Blewitt, an unapologetically sexual, psychologically unstable woman whom a mutual friend warns him against. But Phaedrus is drawn to her physically and interested in her intellectually, finding her ``a culture of one'' in whom he discerns an unexpected ``Quality.'' Sailing with him to Manhattan, where her mental state deteriorates further, Lila prompts Phaedrus to explore conflicts of values like those between Native Americans and Europeans or between the insane and the normal. Finally, after years of struggling, he formulates his ``Metaphysics of Quality'' which offers a system of understanding--and evaluating--actions according to a hierarchy of four evolutionary realms (natural, biological, social and intellectual). Though Lila's fate is left unresolved, Pirsig's wide-ranging philosophical explorations will provoke and engage readers. (Oct.)
Pirsig's newest work continues in the same philosophical vein as his earlier books, Zen and the Art of Motorcycle Maintenance ( LJ 10/15/74) and Guide book to ``Zen and the Art of Motorcycle Maintenance'' ( LJ 10/15/90). Lila is a novel-cum-philosophical tome that wrestles with the issues and problems of life in the Nineties. Phaedrus, the principle character, is a writer grappling with his latest treatise, the ``metaphysics of Quality.'' Lila, his aging and desperate wharf-bar pickup, provides the right amount of antagonism and criticism to hone his ruminations of life and civilization to something understandable and real. Pirsig has some fairly interesting ideas, but his evasiveness in defining his version of ``quality'' early on may lose some readers. His transition from the novel format to the philosophy lesson is uneven and distracting at times. However, his observations lead to some surprising revelations. Readers familiar with his earlier work will want this. Recommended.-- Kevin M. Roddy, Oakland P.L., Cal.