About the Author

Rachel Isadora began dancing at the age of eight. She trained at George Balanchine's School of American Ballet and has danced professionally. Rachel lives in New York City with her family.

Rachel Isadora has illustrated many books set in the world of dance and theater, including Opening Night, My Ballet Class, Swan Lake, The Little Match Girl, and Ben's Trumpet, which received the Caldecott Honor Award and the Boston Globe-Horn Book Honor Award.

Reviews

K-Gr 3-A faithful retelling of the tale in which a poor child, unsuccessful in selling her matches on New Year's Eve and afraid to return home with no money, freezes to death on the streets. The reteller's dedication urges readers to remember "the boys and girls of the world who need us." The pretty illustrations, however, set the tale firmly in the Scandinavian world of the 19th century. Jerry Pinkney's adaptation of this story (Penguin Putnam, 1999) is more successful at creating a historical context in which contemporary children can imagine and empathize with the unfortunate young protagonist.-V. W. Copyright 2002 Cahners Business Information.

Bell (The Little Mermaid) renders Andersen's story with painful vividness, resisting the urge to draw attention to her own prose. Instead Pacovsk 's stark expressionist plates dominate the pages. An eminence grise among European illustrators, she fully exploits the media in which she works. Collages overlaid with pastel and felt-tip pen, printed on heavy, glossy stock, represent elements of the Little Match Girl's story. Her life unfolds as bold red-scribbling, terrifying chaos. Her frozen feet are white lines on black, while smaller drawings experiment with other deceptively simple ways of drawing feet and matches. A little red "WHoosh!" taped into a narrow gap between blocky, steel-gray apartment buildings indicates where she sits; later, a shooting star foretells her death. The star falls across a full-bleed spread, its path on the left page stenciled into shiny silver foil, like a lake or a mirror; the right-hand page depicts a series of pastel smudges arranged in a grid that seem to stand for the tears and dirt on the Little Match Girl's face, but also resemble an artist's palette. With smaller fragments of silver, the star strikes the heroine. Every page contains a similar shock, a moment of alienation, and yet viewers will likely feel the rightness of these images for one of Andersen's most disturbing stories. This rendering will be best suited to those who know the tale well and can appreciate this intellectual, abstract presentation. All ages. (Sept.) Copyright 2005 Reed Business Information.