John Crowley lives in the hills of northern Massachusetts with his wife and twin daughters. He is the author of ten previous novels as well as the short fiction collection, Novelties & Souvenirs.
"[An] intricate and stylish romp . . . both a Gothic extravaganza and a picaresque adventure." -- New York Times Book Review"An eerily authentic simulation of Romantic literature . . . beautiful." -- Boston Globe"Remarkable and convincing . . . Despite its Romantic trappings, LORD BYRON'S NOVEL pulses with contemporary vitality." -- Toronto Star"An astounding display of scholarship and imagination . . . remarkable." -- Washington Post Book World"Though it's an impertinent undertaking, it's also a beautiful success . . . Both charmingly romantic and stoically realistic." -- Seattle Times"A complex, nested novel of literary and biographical reconstruction . . . A stunning, rewarding work." -- Vancouver Sun"One of 2005's most accomplished novels." -- Washington Times
On a stormy night at Lord Byron's Swiss villa, Mary Shelley challenged her host, her husband and herself to write a ghost story. Mary's, of course, became Frankenstein. Byron supposedly soon gave up his-but, Crowley asks, what if he didn't? The result is this brilliant gothic novel of manners enclosed in two frames. In one, Byron's manuscript comes into the hands of Ada, his daughter by his estranged wife. Ada, in reality, became famous as a proto-cyberneticist, having collaborated on mathematician Charles Babbage's "difference engine." In Crowley's novel, Ada ciphers Byron's work into a kind of code in order to keep it from her mother. The second frame consists of the contemporary discovery of Ada's notes on Byron's story by Alexandra Novak, who's researching Ada for a Web site dedicated to the history of women in science. Alex is, a little too conveniently (this novel's one structural flaw), the estranged daughter of a Byron scholar and filmmaker; her interest in Ada dovetails with her father's interest in Byron, and she's fascinated by the notes and the code both. By applying Byron's scintillating epistolary style to the novel he should have written, Crowley creates a pseudo-Byronic masterpiece. The plot follows Ali, the bastard son of Lord "Satan" Sane and an unfortunate minor wife of a minor Albanian "Bey." Sane finds and takes the boy, aged 12, back to Regency England. Ali's life is filled with gothic events, from the murder of his father (of which he is accused) to his escape from England with the help of a "zombi," the fortuitous and critical aid he gives the English army at the Battle of Salamanca and his love affair with a married woman. The myth of Byron's lost papers has a catalyzing effect on American literary genius, giving us James's Aspern Papers and now Crowley's best novel. Agent, Ralph Vicinanza. (June) Copyright 2005 Reed Business Information.
"[An] intricate and stylish romp . . . both a Gothic extravaganza and a picaresque adventure." -- New York Times Book Review"An eerily authentic simulation of Romantic literature . . . beautiful." -- Boston Globe"Remarkable and convincing . . . Despite its Romantic trappings, LORD BYRON'S NOVEL pulses with contemporary vitality." -- Toronto Star"An astounding display of scholarship and imagination . . . remarkable." -- Washington Post Book World"Though it's an impertinent undertaking, it's also a beautiful success . . . Both charmingly romantic and stoically realistic." -- Seattle Times"A complex, nested novel of literary and biographical reconstruction . . . A stunning, rewarding work." -- Vancouver Sun"One of 2005's most accomplished novels." -- Washington Times
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