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Lost Light (Bosch 9)

Fed up with the hypocrisy of the LAPD, Harry Bosch has resigned and is forced to find a new way of life. When he left the LAPD, Bosch took a file with him, the case of a film production assistant murdered four years earlier during a $2 million robbery on a movie set. The LAPD, now operating under post-9/11 rules, thinks the stolen money was used to finance a terrorist training camp. Thoughts of the original murder victim are lost in the federal zeal, and when it seems the killer will be set free to aid the feds' terrorist hunt, Bosch quickly finds himself in conflict with both his old colleagues and the FBI. He cannot rest until he finds the killer - with or without a badge.
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About the Author

A former police reporter for the Los Angeles Times, Michael Connelly is the author of eleven acclaimed Harry Bosch thrillers and several stand-alone bestsellers, including most recently the highly acclaimed legal thriller, The Lincoln Lawyer.


At the fade of Connelly's City of Bones, his hero, Harry Bosch, said goodbye to the Los Angeles Police Department he'd served loyally but unhappily for nine phenomenally successful novels, raising the question: what now? This new work provides the answer: Harry has embarked on a new career as a private detective. His first case involves a homicide that his LAPD superiors took away from him four years before, the still-unsolved brutal murder of a young woman that has continued to haunt him. He goes about his new business just as zealously and relentlessly as when he wore a badge, but its absence makes his job more difficult, especially when his solo sleuthing pits him against friends and foes on the LAPD, over-zealous anti-terrorist feds and a cadre of vicious killers. Connelly lets Bosch narrate the story, a somewhat hoary private eye device brought up to date by the author's compelling style. Reader Cariou, a veteran of Broadway (Sweeney Todd) and television (Law and Order; Murder She Wrote), has the timbre and talent to capture the sound and the moods of Harry: thoughtful, tough, driven yet surprisingly hopeful. His treatment of the other characters-from a raspy-voiced, paraplegic ex-cop to Bosch's disillusioned former partner Kizmin Rider-is nearly as effective. The quality of the narration plus the added production details-e.g., breaking the cassettes at chapter endings and bookending them with bluesy jazz riffs-result in an intriguing, suspenseful audio noir package, as dark and edgy as its hero-narrator. Simultaneous release with the Little, Brown hardcover (Forecasts, Mar. 17). (Apr.) Copyright 2003 Reed Business Information.

Set a year after the events in City of Bones, Connelly's latest Harry Bosch novel finds Harry resigned from the Los Angeles police force but discovering that retirement is not his cup of tea. When an ex-cop confined to a wheelchair asks for Harry's help in solving an almost five-year-old crime, Bosch jumps at the opportunity. As he starts asking questions, his friends from the force tell him to back off. Then when the FBI threatens imprisonment, Harry realizes he is in over his head. To bring the perpetrators to justice, Bosch realizes that he is going to have to call in some favors. For the first time, Connelly has written a Bosch novel in the first person, adding extra insight and depth into an already well-established character. It's guaranteed that this novel won't get "lost" on the shelves; Connelly's Blood Work was recently made into a Clint Eastwood flick. Highly recommended for most popular fiction collections. [Previewed in Prepub Alert, LJ 12/02.]-Jeff Ayers, Seattle P.L. Copyright 2003 Reed Business Information.

Adult/High School-After more than 25 years with the L.A. Police Department, recently retired Harry Bosch decides to finish the murder investigation of Angella Benton, a case he had been quickly pulled off more than four years earlier. Gaining additional background information from a former colleague, now a quadriplegic as a result of having been shot during the investigation, Harry begins contacting any and all of the people who could have facts pertaining to the crime. He believes that the murder is tied to a film scene and $2 million in cash, and that the entire caper was ingeniously set up well in advance. With dogged determination, he risks his life more than once to prove his theory correct. Connelly expertly weaves the many complex story parts together, resulting in an action-packed ending. As in real life, all aspects of the case must be researched thoroughly, and the bulk of the novel involves the time-consuming, labor-intensive effort that goes into finding answers. Several subplots-including ones involving jazz, Harry's ex-wife, and another murder-help to round out characters, inject other interests, and relieve the intensity of solving the murder. Young adults who read true crime and forensics, or who are interested in police procedures, will surely pick this one up.-Pam Johnson, Fairfax County Public Library, VA Copyright 2003 Reed Business Information.

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