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Luis Cernuda

Philip G Johnston's new translation of Un rio, un amor (One River, One Love) by Luis Cernuda (1902-1963) is faithful to the author's quasi-Surrealist intentions. Written in France and Spain in 1928-1929, this collection reflects the influences, conflicts and impulses that governed the poet's life then. It speaks of the alienation of a marginalised, disaffected individual in a Spain which he described as "decrepit and decomposing", of a shy homosexual gradually and painfully coming to terms with his orientation in a rigid, hostile society, of a passion for American popular culture (Jazz, Blues and cinema), filtered through a Hispanic sensitivity, and eventually somewhat tempered by the disappointments of daily life. The collection's later poems see Cernuda finding an admirable and resonant voice of protest. Very much a part of the broad European Modernist ethos (Cernuda can justifiably be compared to, say, T S Eliot), One River, One Love is furthermore written in the spirit of Spain's famous Generation of 1927 (spearheaded by figures such as Dali, Lorca and Bunuel) which set about reacting to "what had already been said", seeking the radical reform of the Spanish aesthetic and, in doing so, created a second Spanish Golden Age. Intriguingly balanced between what Cernuda himself would later term "Reality and Desire", this collection also involves a significant flirtation with the conventions of Surrealism. Lautreamont's famous formula involving the sewing machine, the umbrella and the dissection table is most certainly nodded to here in the characteristic Cernudian harnessing of shocking, incongruous and unexpected elements in imagery. That flirtation, however, stops short of full consummation of the relationship (Cernuda never, for example, gives himself completely over to unfettered, automatic writing, or, "dictee de la pensee") -which fact in itself speaks of a peculiarly Spanish twist to the European avant-garde.
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Table of Contents

Translator's Note Introduction Select Bibliography Un rio, un amor / One River, One Love Remordimiento en traje de noche / Remorse in a Dinner Jacket Quisiera estar solo en el sur / I Want to be Alone in the South Sombras blancas / White Shadows Cuerpo en pena / Body in Pain Destierro / Exile Nevada / Nevada Como el viento / Like the Wind Decidme anoche / Tell Me Last Night Oscuridad completa / Total Darkness Habitacion de al lado / The Room Next Door Estoy cansado / I Am Tired El caso del pajaro asesinado / The Case of the Murdered Bird Durango / Durango Daytona / Daytona Desdicha / Misery No intentemos el amor nunca / Let's Not Ever Try Love Again Linterna roja / Red Lantern Mares escarlata / Scarlet Seas Razon de las lagrimas / Reason for Tears Todo esto por amor / All This for Love No se que nombre darle en mis suenos / I Do Not Know What to Call Him in My Dreams Duerme, muchacho / Sleep, Sonny Drama o puerta cerrada / Drama or Closed Door Dejadme solo / Leave Me Alone Carne de mar / Sea Flesh Vieja ribera / Old Riverbank La cancion del oeste / The Song of the West ?Son todos felices? / Are They All Happy? Nocturno entre las musaranas / Nocturne of the Shrews Como la piel / Like Skin Notes

About the Author

Philip G. Johnston is Senior Lecturer in Spanish in the School of Languages and Literatures at University College Dublin. He is the author of an edition of In the Burning Darkness by Antonio Buero-Vallejo in this series, and also a major study of the poet Antonio Machado.

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