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Macbeth (The RSC Shakespeare)
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Table of Contents

Introduction.- About the Text.- Key Facts.- The Tragedy of Macbeth .- Textual Notes.- Scene-by-scene Analysis.- Macbeth in Performance: The RSC and Beyond.- Four Centuries of Macbeth: An Overview.- At the RSC.- The Director's Cut: interviews with Rupert Goold, Gregory Doran and Trevor Nunn.- Shakespeare's Career in the Theatre.- Shakespeare's Works: A Chronology.- Further Reading and Viewing.- Acknowledgements and Picture Credits

About the Author

SIR JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare.' In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'.

ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the Arden Shakespeare and Oxford World's Classics series. He is the General Textual Editor of the Internet Shakespeare Editions project - one of the most visited Shakespeare websites in the world. For over nine years he has written the annual review of editions and textual studies for the Shakespeare Survey.

Reviews

Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which-rather than feeling like crude interruptions to the dialogue-slip in smoothly like the knife used to slay King Duncan. (July) (c) Copyright PWxyz, LLC. All rights reserved.

Gr 5-8-These visually appealing, full-color adaptations introduce each title with a well-known quotation from the original work on an illustrated spread that captures the mood and setting of the piece. The stories are retold in panels with text containing an explanation of the characters' motives and a summary of the action taking place positioned beneath each panel. Brief snippets of quotations are enclosed within a few simple speech bubbles. Actual wording from the original works is very limited. Headings at the top of the spreads distill the plot essentials contained on those two pages. Macbeth uses extensive footnotes on each page to define and clarify Shakespearean language. Dramatic outdoor scenes are done in vivid colors, contrasting with night scenes rendered in gray tones. Unique features include historical information on the real King Macbeth and theatrical superstitions associated with what many actors consider an "unlucky play." A somber palette of grays and muted colors sets the mood for Frankenstein. Back matter includes a map of Europe marking the travels of Frankenstein and a chronology of medical and scientific discoveries between the years of 1747 and 1834. These titles might be useful to introduce classics to young readers in a formalized instructional setting.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY Copyright 2009 Reed Business Information.

The Yale annotated editions of these dramatic polar opposites include loads of textual notes and scholarly introductions, plus essays by Harold Bloom, all for the price of lunch at Mickey Ds. Supersized Shakespeare on the cheap. Copyright 2005 Reed Business Information.

"I "highly recommend" Campfire's comics. They do what they are intended to do and do it in a way that excites kids about classic literature."

-- Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)

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