Preface: From the small screen to the big picture.
1. Class and Creative Labour.
2. Mode of Production: Technology and New Media.
3. The Powers of Capital: Hollywood's Media-Industrial Complex.
4. The State.
5. Base and Superstructure: Reconstructing the Political
Unconscious.
6. Signs, Ideology and Hegemony.
7. Commodity Fetishism and Reification: The World Made
Spectral.
8. Knowledge, Norms and Social Interests: Dilemmas for
Documentary.
9. Conclusion: Reflections on Key Concepts and Contemporary
Trends.
Bibliography
Index
Mike Wayne is Professor of Film and Television Studies at Brunel University, London. He is the author of England's Discontents: History, Politics, Culture and Identities (Pluto, 2018), Understanding Film (Pluto, 2005) and Marxism and Media Studies (Pluto, 2003).
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