Acknowledgements Introduction Chapter One Threads and Silver Paper: spirituality of gift and process in H.D.’s war writing Chapter Two ‘The Pebbles Were Each One Alive’: Animism and Anglo-Catholicism in Mary Butts’s writing Chapter Three Darkness and Dirt: Virginia Woolf’s material mysticism Chapter Four Radiant Dandelions: Gwendolyn Brooks’s domestic sublime Chapter Five Things in the City Notes Bibliography
An analysis of the spiritual resonances of things, materials and environments and their relationships to creativity and subjectivity in the work of four modernist women writers: Mary Butts, Virginia Woolf, H.D. and Gwendolyn Brooks.
Elizabeth Anderson is Lecturer of English Studies at the University of Aberdeen, UK. She is the author of H. D. and Modernist Religious Imagination (2013) and the co-editor of Modernist Women Writers and Spirituality: A Piercing Darkness (2016).
Material Spirituality in Modernist Women's Writing offers a
fascinating new approach to the ‘liveliness of things’ in modernist
women’s writing. Steering away from the tendency to see objects
purely as commodities and women as consumers, Anderson reveals the
mystery and wonder that inheres in their alterity and argues that
we should read these characteristics as a form of spirituality that
bridges the gap between the material and the transcendental, body
and soul. Everyday objects come to seem animate, mobile, relational
and obdurate—things that are worthy of the attention and care they
receive in this book. Material Spirituality is an excellent
introduction to the hybrid forms of religosity seen in its subjects
and as an original and timely intervention into the study of
literary cultures and religion in a secular age.
*Dr Suzanne Hobson, Queen Mary University of London, UK*
From an established scholar of modernism and religion, Material
Spirituality productively weds feminist theories of theology and
contemporary thinking about the vibrancy and agentive capacities of
matter. In her new study of the prose of both well-known and
critically neglected twentieth-century women writers, Anderson
uncovers a surprising and utterly fascinating view of spirituality
as bounded by, and grounded in, the quotidian.
*Lara Vetter, Professor and Director of Graduate Studies,
University of North Carolina at Charlotte*
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