List of illustrations
Foreword; N. Katherine Hayles
Acknowledgements
Notes on Contributors
Introduction: Memory in the Twenty-first Century; Sebastian
Groes
PART I: METAPHORS OF MEMORY
1. Metaphors of Memory: From the Classical World to Modernity;
Corin Depper
2. Proust, the Madeleine, and Memory; Barry C. Smith
3. Proust Recalled: A Psychological Revisiting of that Madeleine
Memory Moment; E. Leigh Gibson
4. The Persistence of Surrealism: Memory, Dreams and the Dead;
Jeannette Baxter
5. 'There Was Nothing Hidden That Might Not Be Revealed': The Brain
Observatory and the Imaginary Media of Memory Research; Flora
Lysen
6. Memory and the Fictional Imagination: Creating Memories; Peter
Childs
7. Misled by Metaphor; Nicholas Carr
8. Calling Gaia: World Brains and Global Memory; Stephan Besser
PART II: MEMORY IN THE DIGITAL AGE
9. What's in a Brain?; Will Self
10. Will Self and his Inner Seahorse; Hugo Spiers
11. Navigation Aids in Neuropsychological Rehabilitation; Ineke van
der Ham
12. Living Digitally; Wendy Moncur
13. Death and Memory in the Twenty-first Century; Stacey
Pitsillides
14. The Oceanic Literary Reading Mind: An Impression; Michael
Burke
15. Memory and the Reading Substrate; Adrian van der Weel
16. Memory, Materiality the Ethics of Reading in the Digital age;
Sebastian Groes
PART III: ECOLOGIES OF MEMORY
17. Time that is Intolerant; Claire Colebrook
18. 'The Winters Were Colder and the Snows Deeper'; Mike Hulme
19. Memories of Snow: Nostalgia, Amnesia, Re-reading; Greg
Garrard
20. Writing Climate Change; Maggie Gee
21. Against Nostalgia: Antony Gormley, Ian McEwan and J. G.
Ballard's Climate Change Art; Sebastian Groes
PART IV: MEMORY AND THE FUTURE
22. The Trace of the Future; Mark Currie
23. Simulation and the Evolution of Thought; Joanna J. Bryson
24. Imaginative Anticipation: Rethinking Memory for Alternative
Futures; Jessica Bland
25. Memory is No Longer What it Used to Be; Patricia Pisters
26. 'We Can Remember It, Funes, Wholesale': Borges, Total Recall
and the Logic of Memory; Adam Roberts
27. Remembering Without Stored Contents: A Philosophical Reflection
on Memory; Daniel D. Hutto
PART V: FORGETTING
28. Remembering; Larry R. Squire and John T. Wixted
29. Directed Forgetting; Karen R. Brandt
30. Remembrance in the Twenty-first Century; Peter Childs
31. Memory, Hither Come: The Body and the Page in Poetry Readings
as Remembrance of Composition; Holly Pester
32. Our Plastic Brain: Remembering and Forgetting Art; Heather H.
Yeung
33. Amnesia and Identity in Contemporary Literature; Jason
Tougaw
34. Amnesia in Young Adult Fiction; Alison Waller
35. Remembering Responsibly; Thomas F. Coker and Heather H.
Yeung
PART VI: TWENTY-FIRST CENTURY SUBJECTIVITIES
36. Losing the Self? Subjectivity in the Digital Age; Claire
Colebrook
37. Memory and Voices: Challenging Psychiatric Diagnosis Through
the Novel; Patricia Waugh
38. Rereading the Self: On Remembering Multiple Selves In and Out
of Young Adult Fiction; Alison Waller
39. Neuroscience and Posthuman Memory; Robert Pepperell
40. The Confabulation of Self; Joanna J. Bryson
41. Malingering and Memory; Neander Abreu
42. Trauma and the Truth; Martijn Meeter
Conclusion: 'The Futures of Memory'; Sebastian Groes
References
Index
Sebastian Groes is Senior Lecturer in English Literature at Roehampton University, UK. He specialises in modernist and contemporary fiction, has written on authors including Ian McEwan and Kazuo Ishiguro, and published The Making of London. He is the Principal Investigator of the AHRC and Wellcome Trust-funded The Memory Network.
"As teacher, writer and editor, Sebastian Groes is one of the most
interesting figures of his generation. His project, it seems, is to
restore English studies (still languishing after its long dalliance
with 'theory') to a central role in our intellectual culture. To
achieve this he has drawn widely from other disciplines including
the cognitive sciences. He has enlisted poets, novelists,
psychologists, neuroscientists and philosophers to his cause. He
has brilliantly enlivened and widened that contested space where
science and the humanities meet. Memory and consciousness have
always been the lifeblood of literary expression; in the past
thirty years they have become subjects of scientific enquiry.
Groes's passion for both modes of exploration has resulted in this
superb collection of essays." — Ian McEwan, Booker Prize-winning
author of Enduring Love, Atonement and The Children Act
"Memory in the Twenty-First Century, edited by Sebastian Groes, is
a remarkable achievement. Bringing together an interdisciplinary
mix of scientists, cultural critics, philosophers, writers and
literary critics, it ranges across a diverse set of topics,
including memory as metaphor, anticipation, ecology, subjectivity
and even memory's seeming antithesis, forgetting. Readers will find
an equally rich range of references, including novels, films, poems
and art works, in addition to what seems like the entire scholarly
repertoire of works on, about, and relating to memory across the
centuries in Western culture." — N. Katherine Hayles,
Professor of Literature and Director of Graduate
Studies, Literature Program, Duke University, USA
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