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The Messenger


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About the Author

Markus Zusak is the international bestselling author of six novels, including The Book Thief and most recently, Bridge of Clay. His work is translated into more than forty languages, and has spent more than a decade on the New York Times bestseller list, establishing Zusak as one of the most successful authors to come out of Australia.
All of Zusak's books - including earlier titles, The Underdog, Fighting Ruben Wolfe, When Dogs Cry (also titled Getting the Girl), and The Messenger (or I am the Messenger) - have been awarded numerous honors around the world, ranging from literary prizes to readers choice awards to prizes voted on by booksellers.
In 2013, The Book Thief was made into a major motion picture, and in 2018 was voted one of America's all-time favorite books, achieving the 14th position on the PBS Great American Read. Also in 2018, Bridge of Clay was selected as a best book of the year in publications ranging from Entertainment Weekly to the Wall Street Journal.
Markus Zusak grew up in Sydney, Australia, and still lives there with his wife and two children.


Zusak's When Dogs Cry was an honour book in the `older readers' category of this year's CBCA children's book of the year awards. Whilst this new novel-a parable for the Two Hands generation-may also please the CBC judges, its main appeal may well be to a readership who would probably die rather than be seen in the children's section of a bookshop or library: young adult males. Zusak knows his readership well, and this is one book you could safely recommend to anyone looking for a book for 15-25 year-olds who aren't regular readers. Ed Kennedy, an amiable yet aimless young taxi driver, finds his drab life taking a unusual turn after he is innocently caught up in a bank hold-up. A habitual card player, Ed starts receiving anonymously-sent playing cards which urge him to act as a reluctant latter-day `ministering angel' in his community. His good deeds are sometimes hilarious, sometimes poignant, as he undergoes a transformation from nobody to somebody. In the wrong hands this kind of material could be unbearable, but Zusak portrays the expectations, lifestyle and concerns of his young characters with utter authenticity. Ed and his friends become real for us, and we follow their progress, and the unravelling of the mystery (who is sending the messages, and why?) with an interest that builds and builds. The last laugh is on us: Zusak conjours a delightful post-modern ending which few will see coming. The Messenger merits support for its attempt to reach a largely untapped readership. It also happens to be a great read. Andrew Wilkins is the editor of AB&P. C. 2002 Thorpe-Bowker and contributors

"Funny and gripping." --The Miami Herald

"Both serious and funny, touching and exciting." --The Salt Lake Tribune "Fresh and thought-provoking." --The Grand Rapids Press "Raucous, poignant, and at times laugh-out-loud funny." --BookPage "Compulsively readable." --Publishers Weekly, Starred "Unpretentious, well conceived, and appropriately raw." --School Library Journal, Starred "Zusak outdoes himself here." --The Bulletin, Starred "Zusak succeeds brilliantly." --Booklist, Starred "Funny, engrossing, and suspenseful." --KLIATT, Starred

Gr 9 Up-Nineteen-year-old cabbie Ed Kennedy has little in life to be proud of: his dad died of alcoholism, and he and his mom have few prospects for success. He has little to do except share a run-down apartment with his faithful yet smelly dog, drive his taxi, and play cards and drink with his amiable yet similarly washed-up friends. Then, after he stops a bank robbery, Ed begins receiving anonymous messages marked in code on playing cards in the mail, and almost immediately his life begins to swerve off its beaten-down path. Usually the messages instruct him to be at a certain address at a certain time. So with nothing to lose, Ed embarks on a series of missions as random as a toss of dice: sometimes daredevil, sometimes heartwarmingly safe. He rescues a woman from nightly rape by her husband. He brings a congregation to an abandoned parish. The ease with which he achieves results vacillates between facile and dangerous, and Ed's search for meaning drives him to complete every task. But the true driving force behind the novel itself is readers' knowledge that behind every turn looms the unknown presence-either good or evil-of the person or persons sending the messages. Zusak's characters, styling, and conversations are believably unpretentious, well conceived, and appropriately raw. Together, these key elements fuse into an enigmatically dark, almost film-noir atmosphere where unknowingly lost Ed Kennedy stumbles onto a mystery-or series of mysteries-that could very well make or break his life.-Hillias J. Martin, New York Public Library Copyright 2005 Reed Business Information.

Two Aussie slackers stumble into a bank robbery, and inadvertently prevent it, bickering about their jalopy all the while. One of them, Ed Kennedy, a 19-year-old taxi driver, soon receives mysterious playing cards in the mail, and winds up taking on other, similarly baffling reclamation and assistance projects, prodded by an unknown guardian angel. Gray's reading accentuates Zusak's amusing tale with a series of comically elongated Aussie vowels for Ed's first-person narrative. Gray doesn't quite sound like a teenager-his diction is too precise, too well-studied for that-but he captures something of the broad humor and lackadaisical good cheer of late adolescence. Zusak's book mingles drama and comedy admirably, and Gray nimbly shifts gears-far more fluidly than that jalopy ever could. Ages 12-up. (Oct.) Copyright 2006 Reed Business Information.

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