Reviews

Winner of the Lucie Photobook Prize Award: Independent Category

Jang has an affinity for taking what would normally be banal subject matter and turning it into a visual treat--whether depicting familu, politicians, performers, or everyday people on the street.
*Washington Post*

Jang’s “rediscovery” has a lot to do with his talent, but it also has to do with a more hospitable cultural moment.
*New York Review of Books*

Where Jang’s photography sets itself apart is its idiosyncratic sense of humour. Playful and candid, Jang’s approached the medium with irreverence...
*AnOther*

What comes across throughout the book and the work itself is the warmth of the photographer and his fascination with the people and things that surrounded him – but, above all, his remarkably contemporary style of photography.
*Black + White*

Jang’s images have a subtle allure that keeps you coming back. Sometimes you see something new, sometimes it’s a matter of trying to unpack what the hell makes you so drawn to the photo.
*Mother Jones*

There’s something to admire in how technically precise Jang is in working in black and white — he seems to understand intuitively the depth of a picture before he even takes it.
*New York Times: Style*

The more Jang images the scene, the more you have fun trying to reverse-engineer his process.
*Spectrum Culture*

[Michael Jang's] deeply funny and idiosyncratic images [are] of suburbs, celebrities, and California in the 1970s.
*Aperture*

A distillation, often comical, sometimes nostalgic, of the the ‘American way of life,’ as taste-tested by this Asian family that seems to have embraced the delights of western capitalism with gusto.
*Le Monde*

Jang’s images are ... at once both incredibly candid and often so perfectly odd that on first glance you think they must have been staged.
*Creative Review*

Who is Michael Jang? offers a compacted collection of his most important work, delving into the world of a true original.
*Plain Magazine*

The new monograph Who Is Michael Jang? looks at the curious and covert career of photographer Michael Jang.
*PDN*

Utterly banal yet extraordinarily absurd, ... Michael Jang’s images ... balance a combination of what seem to be strategically placed clues amid barely controlled chaos.
*Photo Eye*

Jang’s images were mischievous and quirky, full of visual jokes about how the rich and famous and the freaks and burnouts weren’t all that different from one another. In the years since, Jang has spent more time digging through his archives. The result is a stunning monograph, “Who Is Michael Jang?"
*New Yorker*

The new McEvoy exhibition ... explores Jang’s career as a portrait and street photographer in California, concentrating on his early work as he was discovering the medium.
*Richmond District*

The pictures are hilarious, absurd, fond, empathetic, and unaffected.
*Financial Times*

The hefty Who Is Michael Jang?, the artist’s first monograph, makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures.
*BOMB*

The photographer’s first major monograph, Who Is Michael Jang? highlights Jang’s most important bodies of work.
*FGUK*

These photos are an incredible time capsule of American life in 70s and 80s California as seen through Michael Jang’s witty, inquisitive, and offbeat eyes.
*Photographer*

Jang is an enigma, always at the right place at the right time in history. He is a true fly on the wall, disappearing & observing, waiting for the candid moments.
*Photographer*

Who is Michael Jang? I don’t know if he’s a hipster or a nerd, a conceptual genius or instinctual savant. All I know is that he takes some of best pictures I’ve ever seen.
*Photographer*

Michael Jang is a hero of mine. He was there photographing all the early movements that altered the foundation of my life.
*Artist*