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A gripping historical timeslip suspense novel from the Sunday Times bestseller

About the Author

A historian by training, Barbara Erskine is the author of ten bestselling novels that demonstrate her interest in both history and the supernatural, plus two collections of short stories. Lady of Hay was her first novel and has now sold over two million copies worldwide. Her books have appeared in twenty-six different languages. She divides her time between North Essex, and a cottage near Hay-on Wye.

Reviews

'Her forte is mood, atmosphere and the toe-curling frisson.' Sunday Times 'Readers of Barbara Erskine are held in thrall' Woman's Realm 'Stephen King meeting Ruth Rendell' Frank Delaney 'Barbara Erskine's storytelling talent is undeniable' The Times

'Her forte is mood, atmosphere and the toe-curling frisson.' Sunday Times 'Readers of Barbara Erskine are held in thrall' Woman's Realm 'Stephen King meeting Ruth Rendell' Frank Delaney 'Barbara Erskine's storytelling talent is undeniable' The Times

A remote corner of Essex, England, becomes the site for some bone-chilling events in Erskine's ( Lady of Hay ) latest supernatural suspense yarn. Author Kate Kennedy, broke and homeless after splitting up with her lover, rents an isolated country cottage to write a biography of Lord Byron. Her work is interrupted, however, by a sullen teenage girl excavating an old Roman gravesite and by Kate's landlord, a temperamental artist who resents her intrusion into his cottage. These two plot to scare Kate off with tales of ghosts, but she dismisses their stories--until weird noises fill the night, gremlins invade her computer and a vandal raids her dwelling. Soon the true culprits are revealed, as the ghosts of Marcus Severus Secundus and his wife Claudia come to life. Marcus is determined to safeguard a centuries-old secret at the gravesite, while Claudia is equally set on exposing her husband's evil deed. The ensuing spectral possession and the ghosts' struggle for supremacy will keep readers on the edge of their seats, though frequent changes in point-of-view may prove confusing. Sadly, the novel's ending is somewhat of a letdown. Readers would probably prefer a rip-roaring confrontation between good and evil over Erskine's reliance on a time-worn climactic cliche. (July)