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Milton Avery and the End of Modernism
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Table of Contents

Acknowledgements Introduction Chapter I: Formative Years Early Works A Mature Style A Visual Humor Chapter II: Being There Subjective Subjects The Anti-Spectacular Light and Serenity Chapter III: Avery Working Working on Paper Working on Canvas Chapter IV: The Late Works Paintings of the 1940s Paintings of the 1950s Avery and Abstract Expressionism Notes Works in the Exhibition Illustrations

About the Author

Kark Emil Willers is Director of the Nassau County Museum of Art.

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