P.D. James is the queen of crime fiction and the author of numerous bestsellers including A Taste for Death, Original Sin, A Certain Justice and Death in Holy Orders. She lives in London.
Neither the mystery nor the detective present James's followers with anything truly new in her latest Adam Dalgliesh novel (after 2001's Death in Holy Orders), which opens, like other recent books in the series, with an extended portrayal of an aging institution whose survival is threatened by one person, who rapidly becomes the focus of resentment and hostility. Neville Dupayne, a trustee of the Dupayne Museum, a small, private institution devoted to England between the world wars, plans to veto its continuing operation. After many pages of background on the museum's employees, volunteers and others who would be affected by the trustee's unpopular decision, Neville meets his end in a manner paralleling a notorious historical murder exhibited in the museum's "Murder Room." MI5's interest in one of the people connected with the crime leads to Commander Dalgleish and his team taking on the case. While a romance develops between the commander, who's even more understated than usual, and Emma Lavenham, introduced in Death in Holy Orders, this subplot has minimal impact. A second murder raises the ante, but the whodunit aspect falls short of James's best work. Hopefully, this is an isolated lapse for an author who excels at characterization and basic human psychology. (Nov. 18) Forecast: This BOMC main selection, with its 300,000 first printing, is likely to do as well as other recent titles in this sterling series, despite its weaknesses. Copyright 2003 Reed Business Information.
James's latest mystery revolves around a small private London museum whose trustees are embroiled in a bitter dispute over whether it should be closed. When Neville Dupayne, the trustee in favor of closure, is brutally murdered in a manner reminiscent of one of the notorious historical crimes featured in the museum's Murder Room, Commander Adam Dalgliesh and his team are called to investigate. This is soon followed by a second killing. At the same time, the long-widowed Dalgliesh is struggling to come to terms with his growing feelings for Cambridge professor Emma Lavenham (who first appeared in Death in Holy Orders). Will his love life finally be resolved? In what might be the swan song for the octogenarian Baroness James and her brilliant but aloof poet/detective, The Murder Room features all the usual Jamesian elements: the cool, measured prose, the fully fleshed, morally complex characters, the shocking, eerie crimes, and the detailed plot littered with clever red herrings. For most mystery collections. [Previewed in Prepub Alert, LJ 8/03; BOMC main selection.]-Wilda Williams, "Library Journal" Copyright 2003 Reed Business Information.