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Music, Modernity, and God
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Table of Contents

1: Introduction: Listening to Music 2: Shifting Sensibilities: Calvin and Music 3: Disquieting Conversations: Bach, Modernity and God 4: The Nature of Music: Rameau, Rousseau and Natural Theology 5: Musical Apotheosis: Early German Romanticism 6: Room of One s Own? Music, Space, and Freedom 7: Music and God-talk (1): Mapping the Field 8: Music and God-talk (2): Interaction in Action

About the Author

Jeremy Begbie is the inaugural holder of the Thomas A. Langford Research Professorship in Theology at Duke Divinity School, North Carolina, and founding Director of Duke Initiatives in Theology and the Arts. He teaches systematic theology, and specializes in the interface between theology and the arts. His particular research interest is the interplay between music and theology. He is also Senior Member at Wolfson College, Cambridge, and an Affiliated Lecturer in the Faculty of Music at the University of Cambridge. He is author of a number of books, including Voicing Creation's Praise: Towards a Theology of the Arts; Theology, Music and Time, and Resounding Truth: Christian Wisdom in the World of Music which won the Christianity Today 2008 Book Award in the Theology/ Ethics Category. A professionally trained and active musician, Begbie has taught widely in the UK and North America, and delivered performance-lectures across the world.

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Although Begbie advances sophisticated and sometimes technical arguments, his lucid prose rewards those who heed the invitation to listen: the theologian, the musician, and the pastor alike. Jonathan Lett, Transpositions

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