FOREWORD
Professor Adam Ockelford, University of Roehampton, United
Kingdom
INTRODUCTION
Henry Dunn, Music Psychotherapist, Arts Therapies Service, Devon
Partnership NHS Trust
PRELUDE: The Unanswered Question
Auriel Warwick, Retired Music Therapist
PART 1 - IMPROVISATIONAL APPROACHES
Chapter 1 Clinical Trials.... Are Music Therapists Deluding
Themselves?
Amelia Oldfield, Music Therapist NHS, Laura Blauth, Freelance Music
Therapist, Johanna Finneman, Cognitive Neuroscientist, Órla Casey,
Head of Music Therapy, Cambridgeshire Music, Cambridgeshire County
Council.
Chapter 2 Evolving a Contemporary Psychoanalytically-Informed
Relational Music Therapy with Children with High-Functioning Autism
in Specialist School Placements
Joy Gravestock, Freelance Music Therapist
Chapter 3 "Fight it Jake, Fight it!" The Ethics of Encouragement
with Clients with anAutistic Spectrum Condition
Robin Bates, Music Therapist and Supervisor, Cornwall Music Therapy
Trust
Chapter 4 Musical Interaction Therapy (MIT) For Children with
Autistic Spectrum Conditions (ASCs): Underlying Rationale, Clinical
Practice And Research Evidence.
Dawn Wimpory, Consultant Clinical Psychologist - Lead for ASD (NHS)
and Lecturer (Bangor University, joint appointment) and Elise
Gwilym, Freelance Music Therapist
Chapter 5 Group Clinical Improvisation as a Practice of Ritual and
Connection for Young People with Autistic Spectrum Conditions
Becky White, Associate Lecturer University of the West of England
and Freelance Music Therapist
Chapter 6 Shared Experience; Learning from Other Modalities in
Therapeutic Work with an Adult with an Autistic Spectrum
Condition
Alistair Robertson, Music Therapist in the NHS and Voluntary
Sector, Scotland
PART 2 - COLLABORATIVE APPROACHES
Chapter 7 Music Therapy with Children with Autistic Spectrum
Conditions and Their Families
Josie Nugent, Music Therapist for Foyle Down Syndrome Trust, Derry,
Northern Ireland and Freelance Music Therapist.
Chapter 8 How Do Music Therapists Share? Exploring Collaborative
Approaches in Educational Settings for Children with Autistic
Spectrum Conditions
Emma Maclean, Lead Music Therapist, NHS Lothian and Lecturer in
Music Therapy, Queen Margaret University, Scotland and Claire
Tillotson, Freelance Music Therapist
Chapter 9 Finding a Place: Context-Based Music Therapy in a
Transitional Centre for Children with Autistic Spectrum
Conditions
Kate Fawcett, Freelance Music Therapist and Musician
Chapter 10 A Team Approach in Supporting Mark's Journey to
Increased Social Engagement - Music Therapy Work with a Young Man
with Autism
Cindy-Jo Morison, Senior Music Psychotherapist, Northumberland Tyne
and Wear NHS Foundation Trust
PART 3 - MUSIC THERAPY APPROACHES CONNECTED WITH AUTISTIC IDENTITY
AND CULTURE
Chapter 11 Voice and the Autistic Self: An Exploration Into How
Non-Verbal Voicework in Music Therapy Can Support Intersubjective
Relatedness
Tina Warnock, Freelance Music Therapist, Director for Belltree
Music Therapy CIC and Vocal Psychotherapy UK
Chapter 12 Valuing Neurodiversity: A Humanistic, Non-Normative
Model of Music Therapy Exploring Rogers' Person-Centred Approach
with Young Adults with Autism Spectrum Conditions
Beth Pickard, Senior Lecturer University of South Wales, Wales,
Freelance Music Therapist
Chapter 13 Self-Realisation in Music therapy: Assessing the Young
Autistic Person's Sense of Self in the Quest for Wholeness through
a Synthesis of Music Therapy, Psychosynthesis and a Developing
Sense of Self
Peter Whelan, Senior Music Therapist, Whitefield Schools,
London
POSTLUDE: Music Therapy and Autism across the Lifespan
Elizabeth Coombes, Course Leader, University of South Wales MA
Music Therapy and Freelance Music Therapist and Supervisor, Wales
and Emma Maclean, Lead Music Therapist, NHS Lothian, Lecturer in
Music Therapy, Queen Margaret University, Scotland
CONTRIBUTORS TO THE BOOK
AUTHOR INDEX
SUBJECT INDEX
A much-needed new guide that celebrates the diverse range of approaches to music therapy work with autism for both children and adults
Henry Dunn is a Music Psychotherapist with Devon Partnership NHS Trust.
Elizabeth Coombes is Course Leader of the MA Music Therapy training at the University of South Wales.
Emma Maclean is Lead Music Therapist, NHS Lothian and Lecturer in Music Therapy, Queen Margaret University.
Helen Mottram is Music Therapist with Hertfordshire Partnership NHS Foundation Trust.
Josie Nugent is a Freelance Music Therapist, Northern Ireland and Teacher and Supervisor on MA Music Therapy Training course, University of Limerick, Ireland.
Wonderfully rich in its range of content, this book is a must read,
an invaluable text for music therapists, other professionals, and
music therapy training programs worldwide. The contributors, all
experienced music therapists and researchers from across the UK,
describe improvisational, relational, and collaborative approaches.
Offering a deep appreciation of people with autistic spectrum
conditions across the lifespan, and of how music therapy 'works',
this book illuminates the interweaving of musical, developmental,
humanistic, and psychodynamic perspectives, in the service of
neuro-diversity, identity and culture.
*Jacqueline Z. Robarts, Professor, Music Therapy MA Program,
Guildhall School of Music & Drama, London*
This book brings together an impressive range of perspectives on
music therapy practice in the UK, with authors offering reflective
insights to their work across the autism spectrum and the lifespan.
The writing is deeply respectful of the lived experience of people
on the autism spectrum and highlights how music therapists can
contribute to celebrating autistic identity and culture. Highly
relevant critiques are made about best practice for defining and
measuring outcomes in therapy that challenge clinicians and
researchers to intensely reflect on their practice.
*Grace Thompson, Senior Lecturer in Music Therapy at the University
of Melbourne.*
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