Table of Contents

Part I. Approaching Music and Memory: Introduction Lauren Curtis and Naomi Weiss; 1. Music, Memory, and the (Ancient Greek) Imagination Mark Griffith; Part II. Music, Body, and Textual Archives: 2. Musical Memory on Delos: Theseus in the Archive and the Repertoire Sarah Olsen; 3. Remembered but not Recorded: The Strange Case of Rome's Maiden Chorus Lauren Curtis; 4. Incorporating Memory in Roman Song and Dance: The Case of the Arval Cult Zoa Alonso Fernández; Part III. Technologies of Musical Memory: 5. Do Alexandrians Dream of Electric Sound? Recording Music in the Early Ptolemaic Empire Yvona Trnka-Amrhein; 6. Teichoacoustics, or the Wall as Sonic Medium in Antiquity Peter McMurray; Part IV. Audience, Music, and Repertoire: 7. Iacchus Resonatus: Sound, Memory, and Salvation in Aristophanes' Frogs Tim Power; 8. Performance, Memory, and Affect: Animal Choruses in Attic Vase Painting Naomi Weiss; 9. Meter, Music, and Memory in Roman Comedy Timothy J. Moore; Part V. Music and Memorialization: 10. Sirens on the Edge of the Classical Attic Funerary Monument Seth Estrin; 11. Music as Mnēma on Athenian White-Ground Lekythoi Sheramy D. Bundrick.

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Combines multiple theoretical perspectives and diverse media to examine the relation between music and memory in ancient Greece and Rome.

About the Author

Lauren Curtis is Associate Professor of Classical Studies at Bard College. She is the author of Imagining the Chorus in Augustan Poetry (2017) and is currently working on a commentary on Ovid, Tristia 3 for Cambridge Greek and Latin Classics. Naomi Weiss is the Gardner Cowles Associate Professor of the Humanities at Harvard University. She is the author of The Music of Tragedy: Performance and Imagination in Euripidean Theater (2018) and co-editor of Genre in Archaic and Classical Greek Poetry: Theories and Models (2019).