About the Author

John Morris is an expert on music and film in the Second World War period, and holds a PhD in English from the University of Exeter, UK.

Reviews

John Morris makes a powerful case for 1934 as a pivotal year in British cultural history, in which vital questions of national identity, elite vs. mass culture, and the challenge of Nazi Germany came to a head in the struggle to define a British “national” music.
*Mark Hampton, Associate Professor, Lingnan University, Hong Kong*

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