Sally Magnusson's third novel delves again into the experience of women on which the historical record is largely silent - this time placing a Victorian washer-woman of low class, despised race, advancing age and brilliant but injured mind into exhilarating light, and exploring the effect of brutal community displacement. Her debut novel, The Sealwoman's Gift (2018), about the experience of a seventeenth century Icelandic woman abducted into slavery, was shortlisted for 6 literary prizes. The Ninth Child (2020) was acclaimed for its blend of historical realism and chilling folklore. She is also the author of the Sunday Times bestselling memoir, Where Memories Go: Why Dementia changes Everything (2016).
Music in the Dark is a beautifully-written piece of work, achieved
with immense skill. The portrayal of Jamesina Ross as she is
shattered and put back together by the light-touch constancy of
Niall Munro is perfectly balanced. The minute focus on these two
individuals tells a huge story of the C19th Highlands, Glasgow and
North America that readers will find deeply affecting
*Shona MacLean*
An engrossing, beautifully written novel about the Highland
Clearances and the long-term physical, emotional and psychological
damage done to those who were forced from their homes and homeland.
Like all good historical fiction, it both illuminates the past and
speaks eloquently to the present
*James Robertson, author of The Testament of Gideon Mack*
A wonderful and moving story, beautifully told . . . an episode of
history brought vividly to life
*Clare Chambers, author of Small Pleasures*
I absolutely loved this book. An important and brutal historical
event - but also a tender and unusual love story. It gave me writer
envy
*Kirsty Logan, author of The Gracekeepers*
Truer to the reality of clearance and what came after than many
ostensibly factual accounts of those events
*James Hunter, author of Set Adrift Upon the World: The Sutherland
Clearances*
Part understated love story and part lament for a people and way of
life brushed aside to make way for a more profitable commodity . .
. this affecting novel attests to a heartfelt faith in the power of
song to heal wounds and keep memories alive
*Herald*
Her best yet . . . Beautifully written and utterly absorbing, it is
a fiction fashioned from fact
*Sunday Post*
There is nothing tentative about Sally Magnusson's new novel; it is
a fine piece of craftsmanship . . . This is a delightful and
sympathetic novel, beautifully written
*Scotsman, Books of the Year*
Magnusson tackles the dual timescale with perfect assurance in a
beautifully written novel that makes you think and feel at the same
time
*The i Paper*
A deeply moving, astonishing and beautiful book. Several times its
unexpected twists took me by surprise and I caught my breath . . .
What a remarkable, gifted and courageous person Sally Magnusson is,
steeped in the power of words, a story teller, driven by
conscience, our best commentator on national events. There is
nothing sentimental here. It's a wonderful book about hope and the
possibility of healing
*Church of Scotland Magazine*
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