1. Must Read: Rediscovering American Bestsellers
Sarah Churchwell and Thomas Ruys Smith
2. Missing Numbers: The Partial History of the Bestseller
Sarah Garland
3. The History of Charlotte Temple (1791) as an American
Bestseller
Gideon Mailer
4. 'Like Beads Strung Together': E.D.E.N. Southworth and the
Aesthetics of Popular Serial Fiction
Rachel Ihara
5. Ten Nights in a Bar-Room (1854) and the Visual Culture of
Temperance
William Gleason
6. 'The Man Without a Country' (1863): Treason, Expansionism, and
the History of a 'Bestselling' Short Story
Hsuan Hsu
7. Exhilaration and Enlightenment in the Biblical Bestseller: Lew
Wallace's Ben-Hur, A Tale of the Christ (1880)
James Russell
8. ‘Absolutely Punk': Queer Economies of Desire in Tarzan of the
Apes (1912)
J. Michelle Coghlan
9. Ornamentalism: Desire, Disavowal and Displacement in E.M. Hull's
The Sheik (1919)
Sarah Garland
10. Small Change? Emily Post's Etiquette (1922-2011)
Grace Lees-Maffei
11. Blockbuster Feminism: Peyton Place (1956) and the Uses of
Scandal
Ardis Cameron
12. Crimes and Bestsellers: Mario Puzo Path to The Godfather
(1969)
Evan Brier
12. Master of Sentiment: The Romances of Nicholas Sparks
Sarah Churchwell
13.The Kite Runner Transnational Allegory: Anatomy of an
Afghan-American Bestseller
Georgiana Banita
14. The Fiction of History: The Da Vinci Code (2003) and the
Virtual Public Sphere
Stephen Mexal
Contributor Biographies
Index
A unique survey and interpretive history, spanning 200 years, of the American bestseller.
A unique survey and interpretive history, spanning 200 years, of the American bestseller.
Sarah Churchwell is Professor of American Literature and Public Understanding of the Humanities at the University of East Anglia, UK. She is the author of The Many Lives of Marilyn Monroe (Granta 2004), and has published numerous scholarly articles and introductions. Her new book, Careless People, about F Scott Fitzgerald and The Great Gatsby will be published by Virago (UK) and Penguin (US) in early 2013. She has a monthly column on cultural criticism for the New Statesman, and writes regularly for newspapers and magazines, including the Guardian, the Independent, the Observer, the TLS, the New York Times Book Review, the Times, and the Telegraph. She frequently appears on television and radio, including as a regular panelist on The Review Show (BBC2).
Thomas Ruys Smith is a Lecturer in American Literature and Culture
in the School of American Studies at the University of East Anglia,
UK. He is the author of Southern Queen: New Orleans in the
Nineteenth Century (Continuum, 2011), River of Dreams: Imagining
the Mississippi Before Mark Twain (Louisiana State University
Press, 2007) and the editor of Blacklegs, Card Sharps and
Confidence Men: Nineteenth-Century Mississippi River Gambling
Stories (Louisiana State University Press, 2010). He is currently
at work on an exploration of Mark Twain's relationship with the
Mississippi River.
"Must Read breathes new life into the study of best-sellers,
rescuing them from not only the enormous condescension of posterity
but also from the flattering but often reductive readings of modern
academics. With its artful blend of textual analysis,
historicization, and theoretical speculation, the contributors
challenge us to reread and rethink a host of works, ranging from
short stories and sentimental novellas to advice manuals and modern
blockbusters. For anyone with an interest in the contours of
American print culture from the eighteenth century to the present,
Must Read is itself a must read work." -Leon Jackson, Associate
Professor of English, University of South Carolina, USA
"Although the past two decades have seen a sizeable increase in
scholarly interest in bestsellers in the American context, there
remains a great deal of unexplored territory when it comes to such
literature. Must Read goes a long way in addressing this deficiency
by examining a tremendous range of such literature with great
critical care, insight, and theoretical sophistication. Must Read
is a must read for anyone interested in American bestsellers." --
Paul Gutjahr, Professor of English, American Studies, and Religious
Studies, Indiana University, USA
"This pathbreaking collection provides a unique contribution to the
study of American literature, bringing to the fore a broad survey
of popular literature from a variety of eras and genres, and
bringing to our attention a number of previously neglected yet
essential bestselling works. A valuable addition to literary and
cultural studies, Must Read is a must read for students and
scholars of American popular culture and American literature more
generally." -Lisa Botshon, Professor of English, University of
Maine at Augusta
VERDICT: Recommended for readers interested in publishing trends
and the rise and fall of popular American literature, and for the
literary extremist.
*Library Journal*
Readers interested in the breadth of themes and modes of fictional
expression will find plenty to intrigue them. Summing Up:
Recommended. Upper-division undergraduates through faculty.
*CHOICE*
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