Charles Olson Charles Olson's first two books, Call Me Ishmael (1947), a study of Melville's Moby Dick, and The Mayan Letters (1953), written to Robert Creeley from Mexico, cover a range of subjects--mythology, anthropology, language, and cultural history--and use the fervent informal style that were to distinguish all his discursive prose. Settling in Gloucester, Massachusetts, he devoted most of his time and energy until his death in 1970 to The Maximus Poems, his most substantial work. Ralph Maud Ralph Maud is the author of Charles Olson Reading (1996) and the editor of The Selected Letters of Charles Olson (2000.) He has edited much of Dylan Thomas's work, including The Notebook Poems 1930--1934 and The Broadcasts, and is co-editor, with Walford Davies, of Dylan Thomas: The Collected Poems, 1934--1953 and Under Milk Wood. Maud is also the editor of The Salish People: Volumes I, II, III & IV by pioneer ethnographer Charles Hill-Tout. In addition, he has done extensive work on the translation collaboration between Henry W. Tate and Franz Boas, including the book, Transmission Difficulties: Franz Boas and Tsimshian Mythology.
"Maud depicts [Olson] functioning remarkably as a public poet, a poet thinking on his feet, and being absolutely delightful." -- Pacific Rim Review of Books "This new edition of Muthologos reiterates the intensity of attention that Olson brought to his final six years in the public performance of his immense poetic archaeology. These talks and interviews document the processual nature and intellectual hunger that situate his poetic imagination not only in the poem but in the range of perception that can be talked about "with some life." When I heard him talk about his poem "Place; & Names" at UBC in 1963, the poem as discourse for place and history provided a crucial tap for my own sense of poetry's possibility. His Beloit lectures on "The Dogmatic Nature of Experience" in 1968 coalesce and amplify his most singular pedagogy, "Projective Verse," as the cultural shape shifter it has been. By re-inserting, and supplementing, the tape-recorded era of Olson's poetic life, Ralph Maud continues to sustain this material as consequential and amazing." -- Fred Wah