Charles Wright received the National Book Award for Poetry in 1983 for Country Music, the Lenore Marshall Poetry Prize in 1995 for Chickamauga, and the Pulitzer Prize and National Book Critics Circle Award in 1998 for Black Zodiac.
"There are precious few contemporary poets in whose work I find as much sheer wisdom as in Wright's. . . . His ascetic discipline is an instruction and an aesthetic. The whole world seems to orbit in a kind of meditative, slow circle around Wright's grave influence." --David Baker, Poetry "Truly an event. One of our national treasures has been watching us and listening to us for decades, and [Negative Blue] is proof that he's watched and listened well. . . . One of the remarkable things about Wright is precisely what happens in the back yard, on the front lawn, or at a cafe. His poems are visions of things ethereal, but even with all their luminescence and otherworldly shades, they remain within earshot of a lawn mower starting up or cicadas announcing the hour." --Dionisio D. Martinez, Miami Herald "[Wright is] a master craftsman who if asked would humbly call himself a journeyman, for the mastery of an art form, as Pound said, is the work of a lifetime." --Eric Pankey, Verse "In an age of casual faithlessness, Wright successfully reconstitutes the provocative tension between belief and materialism." --Albert Mobilio, The Village Voice
"There are precious few contemporary poets in whose work I find as much sheer wisdom as in Wright's. . . . His ascetic discipline is an instruction and an aesthetic. The whole world seems to orbit in a kind of meditative, slow circle around Wright's grave influence." --David Baker, Poetry "Truly an event. One of our national treasures has been watching us and listening to us for decades, and [Negative Blue] is proof that he's watched and listened well. . . . One of the remarkable things about Wright is precisely what happens in the back yard, on the front lawn, or at a cafe. His poems are visions of things ethereal, but even with all their luminescence and otherworldly shades, they remain within earshot of a lawn mower starting up or cicadas announcing the hour." --Dionisio D. Martinez, Miami Herald "[Wright is] a master craftsman who if asked would humbly call himself a journeyman, for the mastery of an art form, as Pound said, is the work of a lifetime." --Eric Pankey, Verse "In an age of casual faithlessness, Wright successfully reconstitutes the provocative tension between belief and materialism." --Albert Mobilio, The Village Voice
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