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No Country for Old Men
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Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life?
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About the Author

Cormac McCarthy is the author of eight previous novels, and among his honours are the American National Book Award and the National Book Critics Circle Award.

Reviews

Seven years after Cities of the Plain brought his acclaimed Border Trilogy to a close, McCarthy returns with a mesmerizing modern-day western. In 1980 southwest Texas, Llewelyn Moss, hunting antelope near the Rio Grande, stumbles across several dead men, a bunch of heroin and $2.4 million in cash. The bulk of the novel is a gripping man-on-the-run sequence relayed in terse, masterful prose as Moss, who's taken the money, tries to evade Wells, an ex-Special Forces agent employed by a powerful cartel, and Chigurh, an icy psychopathic murderer armed with a cattle gun and a dangerous philosophy of justice. Also concerned about Moss's whereabouts is Sheriff Bell, an aging lawman struggling with his sense that there's a new breed of man (embodied in Chigurh) whose destructive power he simply cannot match. In a series of thoughtful first-person passages interspersed throughout, Sheriff Bell laments the changing world, wrestles with an uncomfortable memory from his service in WWII and-a soft ray of light in a book so steeped in bloodshed-rejoices in the great good fortune of his marriage. While the action of the novel thrills, it's the sensitivity and wisdom of Sheriff Bell that makes the book a profound meditation on the battle between good and evil and the roles choice and chance play in the shaping of a life. Agent, Amanda Urban. (July) Copyright 2005 Reed Business Information.

McCarthy has reached the pinnacle of literary success, with critical recognition, best-seller status, and cult-author cachet. It is a difficult position to maintain, and it doesn't help that his idiosyncratic prose style, which tries to wrest poetry from hardscrabble lives, has become increasingly mannered. In his latest novel, McCarthy stumbles headlong into self-parody. Llewelyn Moss is a humble welder who hunts not for sport but to put food on the table. Tracking a wounded antelope one morning, Moss finds an abandoned truck filled with bullet-ridden corpses, sealed packages of "Mexican brown," and $2 million in cash. He leaves the dope behind but takes the money, changing in that moment from hunter to prey. Moss is tailed by Anton Chigurh, an updated version of the satanic Judge Holden from Blood Meridian (1985). Straight-arrow Sheriff Bell, the old man of the title, tries his best to save young Moss, but Chigurh is unstoppable. McCarthy lays out his rancorous worldview with all the nuance and subtlety of conservative talk radio. It is hard to believe that this is the same person who wrote Suttree (1979). A made-for-television melodrama filled with guns and muscle cars, this will nonetheless be in demand; for public and academic libraries. [See Prepub Alert, LJ 4/1/05.]-Edward B. St. John, Loyola Law Sch. Lib., Los Angeles Copyright 2005 Reed Business Information.

It's hard to think of a contemporary writer more worth reading. * Independent * A fast, powerful read, steeped with a deep sorrow about the moral degradation of the legendary American West. * Financial Times * [An] utterly absorbing, chilling tale . . . One of the most sinister characters in modern American fiction. * Herald * A Western thriller with a racy plot and punchy dialogue, perfect for a lazy Sunday. * The Times * No Country for Old Men is a severed head and shoulders over anything else written in America this year. * Independent on Sunday *

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