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About the Author

Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fifteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist. Julie Orlemanski (Ph.D. Harvard), The Middle Ages, is Director of Graduate Studies and Associate Professor of English at the University of Chicago. She teaches and write about texts from the late Middle Ages and theoretical and methodological questions in present-day literary studies. She is also co-editor of postmedieval: a journal of medieval cultural studies. Her book Symptomatic Subjects: Bodies, Medicine, and Causation in the Literature of Late Medieval England considers embodiment in the historical period just prior to medicine’s modernity. She is currently working on a book entitled Things Without Faces: Prosopopoeia in Medieval Writing, which is a new account of literary person-making, beginning with twelfth-century innovations in devotional imagery and speculative allegory and continuing to the reinvention of those figural techniques in the French and English poetry of the two centuries following. James Simpson (Ph.D. Cambridge), The Middle Ages, is Douglas P. and Katherine B. Loker Professor of English at Harvard University and former Chair of Medieval and Renaissance English at the University of Cambridge. An Honorary Fellow of the Australian Academy of the Humanities, he is the author of Piers Plowman: An Introduction to the B-Text; Sciences and the Self in Medieval Poetry; Reform and Cultural Revolution, 1350–1547; Volume 2 of The Oxford English Literary History; Burning to Read: English Fundamentalism and Its Reformation Opponents; and Under the Hammer: Iconoclasm in the Anglo-American Tradition. With Brian Cummings, he edited Cultural Reformations: Medieval and Renaissance in Literary History, and with Sarah Peverley John Hardyng’s Chronicle. His Reynard the Fox: A New Translation appeared in 2015.