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Of Stigmatology elaborates for the first time a general theory of punctuation. Beginning with punctuation marks in the common sense, Peter Szendy goes on to trace the effects of punctuation more broadly, arguing that looking and hearing are not passive acts of reception, but themselves punctuate the images and sounds they take in. Szendy reads an astonishing range of texts and traditions, from medical auscultation to literature (Chekhov, Sterne, Kafka), philosophy (Hegel, Nietzsche, Heidegger, Derrida), psychoanalysis (Lacan), and film (Raging Bull, The Trial, Fight Club). Repeatedly, what Szendy finds in these works is a punctuation that marks experience itself, that seeks (and ultimately fails) to bind the subject to itself. This is the stigmatology of the punctuation mark on the page that structures texts from ancient to digital, as well as the punchuation of experience, as though at the hands of a boxer.
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Table of Contents

Stigmatology From the Rubrica to the Smiley, A Portable History The Point of (No) Monument, or Tristram's Cut (Un)pointings P.S.: On Restitching (Lacan vs. Derrida) Phrasing, Or the Holes in Meaning The Dotted Lines of Auscultation Monauralisms, Or the Bubble of Quotation Marks Punctum Saliens, or the Salient Point The Point of the Overcast Stitch Ekphrasis General Chatter Punctuation and Politics, Or the Dot Above the I Final Survey

About the Author

Peter Szendy is David Herlihy Professor of Comparative Literature and Humanities at Brown University. His books in English include All Ears: The Aesthetics of Espionage; Kant in the Land of Extraterrestrials: Cosmopolitical Philosofictions; and Listen: A History of Our Ears (all Fordham).

Reviews

"To the now of the point, Heidegger opposes the ecstasy of time. For the past of the point, Deleuze substitutes becoming without history. Both, Peter Szendy objects, are but different ways of punctuating. Cuts, blows, silences, blanks: these stigmata are all irreducible, as are punctuation marks in a text. From ontology to linguistics, from learned treatise to comic book, the grace of this fascinating text brings being back to the infinity of its cut." -- -Catherine Malabou "Peter Szendy's brilliant reflections on the punctuation of experience make for a magnificent composition: a new philosophy of the sensible focused on how one feels oneself feeling, and an investigation of `how one makes a point' philosophically and emotively. Never before have exclamation points, dashes, interrogatives, full stops, and quotation marks been treated so existentially; never before has the musicality of existence been so keenly tied to its notation; never before has the distance between points been used so effectively as a measure of life-span. In the "pows!" and "blams" of comic-book blows, glimmers of political violence come into focus. This is an amazing work of philosophy, aesthetics, media, and critique!!!" -- -Emily Apter

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