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Oil Fictions
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Table of Contents

Preface

Acknowledgements

Introduction: Reading Our Contemporary Petrosphere

Stacey Balkan and Swaralipi Nandi

1. Petrofiction, Revisited

Amitav Ghosh

2. Energy and Autonomy: Worker Struggles and the Evolution of Energy Systems

Ashley Dawson

3. Gendering Petrofiction: Energy, Imperialism, and Social Reproduction

Sharae Deckard

4. Petrofeminism: Love in the Age of Oil

Helen Kapstein

5. “We Are Pipeline People”: Nnedi Okorafor’s Ecocritical Speculations

Wendy W. Walters

6. Petro-drama in the Niger Delta: Ben Binebai’s My Life in the Burning Creeks and Oil’s “Refuse of History”

Henry Obi Ajumeze

7. Documenting “Cheap Nature” in Amitav Ghosh’s The Glass Palace: A Petro-aesthetic Critique

Stacey Balkan

8. Aestheticizing Absurd Extraction: Petro-capitalism in Deepak Unnikrishnan’s “In Mussafah Grew People”

Swaralipi Nandi

9. Petro-cosmopolitics: Oil and the Indian Ocean in Amitav Ghosh’s The Circle of Reason

Micheal Angelo Rumore

10. Xerodrome Lube: Cyclonic Geopoetics and Petropolytical War Machines

Simon Ryle

11. Oil Gets Everywhere: Critical Representations of the Petroleum Industry in Spanish American Literature

Scott DeVries

12. Conjectures on World Energy Literature

Imre Szeman

13. Petrofiction as Stasis in Abdelrahman Munif’s Cities of Salt and Joseph O’Neill’s Netherland

Corbin Hiday

Memoirs and Interviews

14. Assessing the Veracity of the Gulf Dreams: An Interview with Author Benyamin

Maya Vinai

15. Testimonies from the Permian Basin

Kristen Figgins, Rebecca Babcock, and Sheena Stief

Afterword

Contributors

Index

About the Author

Stacey Balkan is Assistant Professor of English and Environmental Humanities at Florida Atlantic University and author of the forthcoming book Rogues in the Postcolony: Narrating Extraction and Itinerancy in India.

Swaralipi Nandi is Assistant Professor of English at Loyola Academy. She is the coeditor of Spectacles of Blood: A Study of Masculinity and Violence in Postcolonial Films and The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction.

Reviews

“Oil Fictions covers considerable ground in analyzing oil fiction as well as identifying new sensibilities associated with oil’s fantasy of progress and well-being.”—Sofia Ahlberg ISLE: Interdisciplinary Studies in Literature and Environment

“Every one of the essays in this superb collection contributes thoughtfully to the broadening scholarly discussion around creative oil literature. Each chapter stands alone as a study of a particular feature of this conversation, advancing arguments for the expected scholarly reading audience; however, there are several accessible openings for non-scholars.... Arguments are engaging, creative, and sufficiently supported with fascinating links to other writers including those from postcolonial, Marxist, feminist, cultural, and Indian Ocean theoretical studies.”—Jennifer McDougall Journal of Energy History

“This excellent collection not only provides an authoritative introduction to petrofiction’s key texts, conceptual debates, and critical methodologies but also extends the range and scope of that work. In their impressive expansion of the geographical ambit and theoretical concerns of oil fiction, particularly into the Global South, these essays offer new and hitherto underrealized perspectives. They are what the field has been waiting for.”—Graeme Macdonald, coauthor of Combined and Uneven Development: Toward a New Theory of World-Literature

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