Elizabeth Strout's tenure as a lawyer (six months) was slightly longer than her career as a stand-up comedian (one night). She has also worked as a bartender, waitress and piano player at bars across the USA. She now teaches literature in New York, where she lives with her husband and daughter.
‘As perfect a novel as you will ever read . . . So astonishingly
good that I shall be reading it once a year for the foreseeable
future and very probably for the rest of my life’
*Evening Standard on Olive Kitteridge*
‘Strout animates the ordinary with astonishing force’
*The New Yorker on Olive Kitteridge*
‘Masterfully wrought’
*Vanity Fair on Olive Kitteridge*
‘Strout has a wonderful ability to turn a phrase…[these] pages hold
what life puts in: experience, joy, grief, and the
sometimes-painful journey to love’
*Observer on Olive Kitteridge*
'I am deeply impressed. Writing of this quality comes from a
commitment to listening, from a perfect attunement to the human
condition, from an attention to reality so exact that it goes
beyond a skill and becomes a virtue. I have never read her
before and I knew within a few sentences that here was an artist to
value and respect'
*Hillary Mantel on My Name is Lucy Barton*
'Strout's best novel yet'
*Ann Pachett on My Name is Lucy Barton*
'An exquisite novel... in its careful words and vibrating
silences, My Name Is Lucy Barton offers us a rare wealth
of emotion, from darkest suffering to - 'I was so happy. Oh, I was
happy' - simple joy'
*Claire Messud, New York Times Book Review on My Name is Lucy
Barton*
'So good I got goosebumps... a masterly novel of family ties by one
of America's finest writers'
*Sunday Times on My Name is Lucy Barton*
'My Name is Lucy Barton confirms Strout as a powerful
storyteller immersed in the nuances of human
relationships... Deeply affecting novel...visceral and
heartbreaking...If she hadn't already won the Pulitzer for Olive
Kitteridge this new novel would surely be a contender'
*Observer on My Name is Lucy Barton*
'Hypnotic...yielding a glut of profoundly human truths to do with
flight, memory and longing'
*Mail on Sunday on My Name is Lucy Barton*
'This is a book you'll want to return to again and again and
again'
*Irish Independent on My Name is Lucy Barton*
'Slim and spectacular...My Name Is Lucy Barton is smart and
cagey in every way. It is both a book of withholdings and a
book of great openness and wisdom. It starts with the clean, solid
structure and narrative distance of a fairy tale yet becomes more
intimate and improvisational, coming close at times to the rawness
of autofiction by writers such as Karl Ove
Knausgaard and Rachel Cusk. Strout is playing with
form here, with ways to get at a story, yet nothing is tentative or
haphazard. She is in supreme and magnificent command of this
novel at all times....'
*Washington Post on My Name is Lucy Barton*
'My Name Is Lucy Barton is a short novel about love,
particularly the complicated love between mothers and
daughters... It evokes these connections in a style so spare,
so pure and so profound the book almost seems to be a kind of
scripture or sutra, if a very down-to-earth and unpretentious
one'
*Newsday on My Name is Lucy Barton*
'Her concise writing is a masterclass in deceptive
simplicity...Strout writes with an exacting rhythm, with each word
and clause perfectly placed and weighted and each sentence as clear
and bracing as grapefruit. It's a small masterpiece'
*Daily Mail on My Name is Lucy Barton*
'This short, simple, quiet novel wriggles its way right into your
heart and stays there'
*Red on My Name is Lucy Barton*
'A beautifully taut novel'
*Guardian on My Name is Lucy Barton*
'Agleam with extraordinary psychological insights...delicate,
tender but ruthless reveries'
*Sunday Express on My Name is Lucy Barton*
'An eerie, compelling novel, its deceptively simple language is a
'slight rush of words' which hold much more than they seem capable
of containing...This novel is about the need to create a story we
can live with when the real story cannot be told...'
*Financial Times on My Name is Lucy Barton*
'Strout uses a different voice herself in this novel: a spare
simple one, elegiac in tone that sometimes brings to mind Joan
Didion's'
*The Tablet on My Name is Lucy Barton*
'An exquisitely written story...a brutally honest, absorbing and
emotive read'
*Catholic Universe on My Name is Lucy Barton*
'This is a glorious novel, deft, tender and true. Read it'
*Sunday Telegraph on My Name is Lucy Barton*
'Honest, intimate and ultimately unforgettable'
*Stylist on My Name is Lucy Barton*
'Strout's prose propels the story forward with moments
of startlingly poetic clarity.'
*The New Yorker on The Burgess Boys*
'One of those rare, invigorating books that take an
apparently familiar world and peer into it with ruthless intimacy,
revealing a strange and startling place.'
*The New York Times Book Review on Amy & Isabelle*
'A novel of shining integrity and humour'
*Alice Munro on Amy and Isabelle*
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