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On Dangerous Ground
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Table of Contents

List of Illustrations Acknowledgements Introduction Chapter One: The Lost Language of Stones Chapter Two: Phantasmal Fragments Chapter Three: Libido Awakened: In Transit and Enframed Chapter Four: The Painting of Everyday Life Chapter Five: Paper Dreams: Illustrated Books and the Magic of the Manifest Conclusion: Objects' Lessons Afterword Bibliography Index

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Explores the influence of art and aesthetics on the development of Freud's concept of the "unconscious."

About the Author

Diane O'Donoghue is Director of the Program for Public Humanities and Senior Fellow for the Humanities at the Jonathan M. Tisch College for Civic Life, at Tufts University, USA. She is also Visiting Professor for Public Humanities at Brown University, and a scholar member of and on the faculty at the Boston Psychoanalytic Society and Institute. There she has been a Silberger Scholar and is a recipient of their Felix and Helene Deutsch Prize. Her work on Freud's early formulations of psychoanalysis also has been awarded the CORST Prize from the American Psychoanalytic Association.

Reviews

Diane O'Donoghue's On Dangerous Ground: Freud's Visual Cultures of the Unconscious is an original contribution to the study of psychoanalysis and our visual world. The wide range of images from Freud's world shows us how wide and deep his visual world impacted on his writing and thinking. Focussing on Freud's emphasis on visualization as a core element of the unconscious, O'Donoghue's work actually illustrates how each and every one of us incorporates our visual context, real or virtual, into the articulation of our desires. We are in complex ways what we see and thus how we dream and how we imagine ourselves. A strong, readable and compelling book! * Sander L. Gilman, Distinguished Professor of Liberal Arts and Sciences and Professor of Psychiatry, Emory University, USA *
In this startlingly brilliant, original and deeply researched book, Diane O'Donoghue presents an entirely new way of understanding Freud--indeed, of writing intellectual history. She examines examples of art and architecture in Freud's life and links his complex aesthetic responses and insights to his developing psychoanalytic theory. This remarkable book is a landmark and an absolutely indispensable understanding of Freud. * Susannah Heschel, Eli Black Professor of Jewish Studies, Dartmouth College, USA *
This is a bold and imaginative exploration of the interplay not just between visual culture and Freudian psychoanalysis, but of Freud's personal Dingwelt and its role the complex genesis of his theorization of the unconscious. In a field as trampled as Freudian biography, O'Donoghue has managed to take a refreshingly different approach that argues for a whole new way of thinking with, through, and about things-from whole buildings and railway lines to specific books and tiny artifacts. She arrives at a new vision of how Freud's thinking about the unconscious converges around experiences, places, and objects that threaded through his life's trajectory. This is a deep dive into some of the most essential questions surrounding Freud's creation of psychoanalysis, and rewards the reader throughout with ways of reframing Freud's life and writings. Fruit of a long labor of preparation, this is a work of committed and critical scholarship, and merits careful consideration. * Richard H. Armstrong, Associate Professor of Classical Studies, University of Houston, USA, and author of A Compulsion for Antiquity: Freud and the Ancient World (2006) *

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