About the Author

B.J. Novak is perhaps best known for his work as a writer, actor, director, and executive producer on NBC’s Emmy Award-winning comedy series The Office. He is also known for his stand up comedy performances and his roles in motion pictures such as Quentin Tarantino’s Inglourious Basterds and Disney’s Saving Mr. Banks. He is the author of The Book With No Pictures, a #1 New York Times Bestseller, and his stories have been published in The New Yorker and featured on This American Life. 

Reviews

"It isn’t easy to make a reader laugh out loud. Even when confronted with the sharpest, funniest prose, many people will respond with nothing more than a quiet chuckle. . . . Whatever the reason, all I can say is good luck chuckling quietly during One More Thing, the wonderfully cockeyed, consistently hilarious debut from B.J. Novak. . . . Given his background in TV comedy writing as well as stand-up, it’s not surprising that Novak knows how to stick a great line or milk a funny premise with the right amount of squeeze. What’s more striking is the wild imagination he brings to these pages, taking familiar narrative constructs — a woman and a man on a blind date — and infusing them with the unexpected. . . . His style is part Steven Wright and part Charlie Kaufman, married with a sharp ear for (and satire of) contemporary pop culture. . . . . A gifted observer of the human condition and a very funny writer capable of winning that rare thing: unselfconscious, insuppressible laughter.”--Jen Chaney, The Washington Post
 
“In one of the longer entries in his very funny debut collection of stories, B. J. Novak describes a writer and translator named J. C. Audetat, who has a gift for ‘the off-the-cuff vernacular of his day’—or what might be called ‘the poetry of everyday conversations.’. . . The same might be said of Mr. Novak, whose athletic imagination and ear for ‘the language of his own time and place (that is, the vernacular of that 21st-century genus of young, hip Americans, known to frequent urban habitats on the East and West Coasts) are showcased in this volume. . . . Mr. Novak has an idiosyncratic voice that’s distinctively his own, though One More Thing will also produce lots of comparisons to other writers. His more fully developed stories have a sense of the absurdities—and sadnesses—of contemporary American life reminiscent of George Saunders’s short fiction. Others will more likely elicit comparisons to David Sedaris’s books (without the curmudgeonly persona), Steve Martin’s prose pieces (with less conceptual strangeness) and Woody Allen’s Without Feathers and Side Effects (with less emphasis on big, existential questions). . . . Mr. Novak is nimble at showing how easily the ordinary can morph into the extraordinary and adept at making us see the surreal in the everyday. . . A funny writer with a great ear, but also as a genuine storyteller with an observant eye and finely tuned emotional radar.”—Michiko Kakutani, The New York Times

“B.J. Novak meets--no, exceeds--expectations in ONE MORE THING, firmly establishing him as one of the best humor writers around. . . . The varied length of the stories adds to the pleasure--it's like sampling a multicourse meal instead of gorging just on pizza. . . . Novak's writing mirrors his acting in that both rely on dry wit and dead-pan delivery. His influences run from celebrated New Yorker humorist James Thurber to Steve Martin to the Harvard Lampoon style of comedy (no wonder, as Novak was a member of the publication in college) to stand-up comedian Steven Wright. But he synthesizes those influences and has delivered something wholly original. . . . The longer stories avoid easy laugh-out-loud punch lines in favor of quirky, offbeat twists that showcase his skill as a storyteller. . . . Novak has found success as an actor, screenwriter and producer, but it turns out that the “one more thing” he added to his résumé--author--might be where his greatest talent lies.”—Andy Lewis, The Hollywood Reporter

“Novak’s high-concept, hilarious, and disarmingly commiserative fiction debut stems from his stand-up performances and his Emmy Award–winning work on the comedy series, The Office. . . . Accordingly, his more concise stories come across as brainy comedy bits, while his sustained tales covertly encompass deep emotional and psychological dimensions. An adept zeitgeist miner, Novak excels at topsy-turvy improvisations on a dizzying array of subjects, from Aesop’s fables to tabloid Elvis to our oracular enthrallment to the stock market. . . . Writing with zing and humor in the spirit of Woody Allen and Steve Martin, Novak also ventures into the realm of George Saunders and David Foster Wallace. . . . Baseline clever and fresh, at best spectacularly perceptive, and always commanding, Novak’s ingeniously ambushing stories of longing, fear, pretension, and confusion reveal the quintessential absurdities and transcendent beauty of our catchas-catch-can lives.” —Booklist, starred review
 
“Novak’s debut contains a buckshot 64 fun and funny short stories crammed into a single volume. Part Etgar Keret, part McSweeney’s, these tidy tales from the alum of TV’s The Office depart from the ‘how I became famous’ comedian’s biography for a decidedly more literary turn. . . . The bulk of Novak’s stories are comedic, and more than a few are surprisingly tender. . . . Written by an author in complete control of his craft.”—Publishers Weekly
 
"Everyone knew that B.J. Novak was smart and sexy, but funny, too!? Wow, screw that guy. I haven't laughed at words this hard since I read."—Joshua Ferris author of The Unnamed and Then We Came to the End
 
"ONE MORE THING is a funny and inventive debut collection, infused with a deadpan absurdist wit reminiscent of Woody Allen and Ian Frazier. B.J. Novak's stories are sly and playful, but they can pack a real emotional wallop." —Tom Perrotta, author of Nine Inches
 
"I am so relieved that I had not read B.J.'s book before I worked with him. I would just have spent every day at his feet instead of doing my job." —Emma Thompson

"Dark and hilarious, like the fudge Grandma used to make during her 'special' period. Deliciously funny!" —Jack Handey, author of Deep Thoughts and The Stench of Honolulu
 
"B.J. blew me away. He just keeps kicking short fiction in the rear, making it run ahead clutching its ass, and then he runs up and kicks it some more, and the result is one of the most aggressively, insanely awesome debuts in a while." —Gary Shteyngart, author of Super Sad True Love Story