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Oscar Hammerstein II and the Invention of the Musical
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About the Author

A founding editor at the Los Angeles Review of Books, Laurie Winer has been a theater critic for the Wall Street Journal and the Los Angeles Times.

Reviews

“A charming . . . passion animates [Winer’s] Oscar Hammerstein II and the Invention of the Musical.”—Brad Leithauser, New York Times Book Review

“Smart and insightful. . . . [Winer] has an intuitive grasp of Hammerstein’s aesthetic and character. She gets him.”—New York Review of Books

“Part biography, part analysis, this admirable book presents its subject as a likable man whose career, along with that of his protégé Stephen Sondheim, illuminates the evolution of the American musical.”—New York Times, “9 New Books We Recommend This Week”

“This is a rare book that not only shows how Hammerstein helped to define the musical as we know it, but leaves you liking the man himself.”—Michael Billington, Country Life

“Laurie Winer’s wonderfully entertaining and deeply researched book paints a fascinating portrait of Oscar Hammerstein and successfully examines the usually ineffable art of collaboration in the theater. A must-read for anyone interested in the American musical.”—James Lapine, librettist of Into the Woods

“This engaging work is the sharpest, most insightful, most readable, and most optimistic of all the books about Oscar Hammerstein. It provides education and pleasure in equal measure.”—Michael Feinstein, founder, Great American Songbook Foundation

“What an impressive achievement! Laurie Winer’s book offers new insights into Oscar Hammerstein II’s groundbreaking achievements.”—Robert Kimball, musical theater historian

“A magnificent, seminal and definitive book written as biographies ought to be. Winer brings to life a time and place in the history of theater. I now know who Oscar Hammerstein really was.”—André Bishop, artistic director, Lincoln Center Theater

“Laurie Winer’s fascinating and beautifully written biography makes an inspiring case for Oscar Hammerstein as the American musical’s greatest innovator and one of the American theatre’s greatest dramatists.”—Nicholas Hytner, director

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