Born in Veracruz, Mexico, in 1982, Fernanda Melchor is ‘one of Mexico’s most exciting new voices’ (Guardian). Her novel Hurricane Season was shortlisted for the International Booker Prize, longlisted for the National Book Award, and was a New York Times Notable Book.
‘Fernanda Melchor explores violence and inequity in this brutal
novel. She does it with dazzling technical prowess, a perfect pitch
for orality, and a neurosurgeon’s precision for cruelty. Paradais
is a short inexorable descent into Hell.’
— Mariana Enríquez, author of Things We Lost in the Fire
‘Melchor evokes the stories of Flannery O’Connor, or, more
recently, Marlon James’s A Brief History of Seven Killings.
Impressive.’
— Julian Lucas, New York Times
‘With a nimble command of the novel’s technical resources and an
uncanny grasp of the irrational forces at work in society,
[Paradais and Hurricane Season] navigate a reality riven by
violence, race, class, and sex. And they establish Melchor, who was
born in 1982, as the latest of Faulkner’s Latin American
inheritors, and among the most formidable.’
— Juan Gabriel Vásquez, New Yorker
‘Fernanda Melchor has a powerful voice, and by powerful I mean
unsparing, devastating, the voice of someone who writes with rage,
and has the skill to pull it off.’
— Samanta Schweblin, author of Fever Dream
‘A masterpiece of concision ... Paradais is a labyrinthine
monologue on the banal violence of a modern-day teenager.’
— Virginie Despentes, author of Vernon Subutex
‘Melchor uses shock to lay bare issues of classism, misogyny,
and the ravages of child abuse. Her prose, ably translated by
Hughes, is dizzying but effective; it’s as if she’s holding the
reader’s head and daring them to look away from the social problems
she brings to light. This might be a deeply disconcerting novel,
but it’s also a brave one. A fever dream that's as hard to read as
it is brilliant.’
— Kirkus
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