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Passion of Artemesia (Om)
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About the Author

Susan Vreeland is the New York Times bestselling author of eight books, including Clara and Mr. Tiffany and Girl in Hyacinth Blue. She lives in San Diego.

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Following her best-selling Girl in Hyacinth Blue, Vreeland tells of Artemisia Gentileschi, a 16th-century painter and the first woman admitted to the Accademia dell' Arte in Florence. The book begins with Artemisia's public humiliation in a papal court after she accuses her father's friend and her painting teacher, Agostino Tassi, of rape. Her father, Orazio, to make up for his lack of support during the trial, arranges for her to marry Pietro Stiatessi, a painter from Florence. Happy at first, the couple have a daughter, but as Artemisia's painting gains recognition and eclipses that of her husband's, the marriage falters. Forced to support herself and her daughter, Artemisia travels to Genoa, Rome, and Naples to find work and advance her career, maintaining her steadfast devotion to art while trying to be a good mother. Vreeland skillfully captures the detail of the paintings and of Artemisia's joy in creating beauty. Few writers can convey the visual arts as vividly. Gigi Bermingham reads with warmth and clarity, bringing the characters to life. Tape quality is excellent; enthusiastically recommended, especially for art lovers.-Nancy R. Ives, SUNY at Geneseo Copyright 2002 Cahners Business Information.

Vreeland follows up the success of Girl in Hyacinth Blue with another novel delving into the themes of art, history and the lives of women. Narrated in the wise, candid first-person voice of Italian painter Artemisia Gentileschi (1593-1653), the novel tells the story of Gentileschi's life and career in Renaissance Italy. Publicly humiliated and scorned in Rome after her participation as defendant in a rape trial in which the accused is her painting teacher (and father's friend) Agostino Tassi, Artemisia accepts a hastily arranged marriage at the age of 18 to Pietro Stiatessi, an artist in Florence. Her marriage, while not a love match, proves at first to be affectionate, and the arrival of a daughter, Palmira, strengthens the bond with her husband. But rifts soon develop as Artemisia begins to have some success: she wins the patronage of the Medicis and is the first woman to be elected to the Accademia dell'Arte before her husband. Studio and home become the battlefields of Artemisia's life, and Vreeland chronicles 20 years of the painter's struggles while raising her daughter alone. Details and visuals abound in the book; readers who loved the painterly descriptions of Girl will be spellbound in particular by the scenes in which Artemisia is shown at work. While some threads in the story are frustratingly dropped and the narrative concludes before the end of Artemisia's life, the underlying themes of familial and artistic reconciliation are satisfyingly developed. Forthright and imaginative, Vreeland's deft recreation ably showcases art and life. Agent, Barbara Braun. (Jan. 14) Forecast: Fans of Girl in Hyacinth Blue will be pleased with The Passion of Artemisia, which reprises many of the themes of its predecessor. Published to coincide with an exhibition of the works of Gentileschi and her father in New York City and St. Louis, the book will also be promoted by Vreeland's 12-city author tour, and has been named Book Sense's #1 pick for January/February. Expect happy sales. Rights sold in Denmark, England, Finland and Germany. Copyright 2001 Cahners Business Information.

"A privileged glimpse into an extraordinary woman's soul."--Margaret George"Lovely."--The Atlantic Monthly"Susan Vreeland set a high standard with Girl in Hyacinth Blue.... The Passion of Artemisia is even better.... Vreeland's unsentimental prose turns the factual Artemisia into a fictional heroine you won't soon forget." --People"Vreeland has burrowed deeply into the mind of the artist and produced a vivid cast of female characters." --Vogue "Vreeland's remarkable ability to portray with lyricism and intelligence the life of the artist both at its most practical and most sublime makes this novel an accomplished work of art." --San Francisco Chronicle

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