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Perfidia
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About the Author

James Ellroy was born in Los Angeles in 1948. He is the author of the L.A. Quartet: The Black Dahlia, The Big Nowhere, L.A. Confidential, and White Jazz, and the Underworld U.S.A. Trilogy: American Tabloid, The Cold Six Thousand, and Blood s A Rover. These seven novels have won numerous honors and were international best sellers.

Perfidia
is the first novel of the Second L.A. Quartet, Ellroy s fictional history of Los Angeles during World War II. The design of this extended work is unprecedented. Ellroy will take characters from the original quartet and trilogy, set between 1946 and 1972, and detail their lives as significantly younger people. Ellroy currently lives in Los Angeles.
www.jamesellroy.net"

Reviews

""Perfidia" is a brilliant, breakneck ride. Nobody except James Ellroy could pull this off. He doesn't merely write he ignites and demolishes.
Carl Hiaasen
[Ellroy s] style jumpy, feverish, and anarchic mirrors the world we enter. . . . The police are not knights, they re occupiers, and in "Perfidia," Ellroy comes closer than ever to making the case that he writes alt-histories not of the Los Angeles police but of the Los Angeles police state. . . . [He] depicts with frightening authenticity how those innocent of crimes are knowingly framed in the interest of the almighty greater good .
Dennis Lehane, "The New York Times Book Review"
The unmistakable product of James Ellroy s fevered imagination.. . . "Perfidia" shows us the war on the home front as we have never seen it before. The result is both pure, unadulterated Ellroy and a darkly compelling deconstruction of the recent American past. . . . [It s] written in a familiar staccato style that delivers large amounts of information in extremely compressed form. The violence, which is frequent and horrific, is described with a clinical exactitude that never flinches. And the entire enterprise is colored by an instantly recognizable tabloid sensibility. . . . Like it or not, believe in it or not, this is James Ellroy s America, and it is a savage, often frightening place.
Bill Sheehan, "The Washington Post"
Ellroy successfully spins a drug-alcohol-and-nefarious-deeds-fueled wartime web of double-dealing betrayal, insidious activities, and gruesome atrocities. . . . . It s tough and ugly and infuriating and relentlessly readable. . . . [His] often-staccato prose is as jumpy as the time period and the fact that we see or hear about the same incidents from different and differing viewpoints enhances that sense of unease and distortion. But the narrative is tautly held together by the ongoing police procedural and by several primary characters.
Daneet Steffens, "The Boston Globe"
A powerful roar of a story with wonderfully flawed characters and a richly conceived plot that will keep you turning every last one of its 700pages. . . . This stunning novel resonates throughout with the dark vibe ofnoir. . . . The story is wickedly elaborate, its plotting brilliant.. . . Kudos to Ellroy for elevating the crime genre with this raucous, sprawling, political beast.
Zoe Ferraris, "San Francisco Chronicle
" [The first L.A. Quartet] made Ellroy America's best crime novelist, a terse, staccato, Bukowskian demimonde poet. . . ."Perfidia"represents new depth, scope, and craftsmanship in James Ellroy's canon. It is his finest work. You'll wonder how he can top it.
Tim Stegall, "Austin Chronicle"
A historical novel, stippled with authentic details of that not-very-innocent era, disguised as a first-rate mystery novel.
Fred Grimm, "The Miami Herald"
It is welcome news that Ellroy s latest effort, "Perfidia," returns home, sliding in as a prequel to the "L.A." "Quartet, "set in the previous decade. Ellroy s revisionist impulse is to complicate the patriotic unity of the wartime years much as he undid the myth of placid postwar Los Angeles. . . . What lies ahead, as Ellroy presses deeper into the war years, is anyone s guess, but like his protagonists, he is driven by a paradoxical obsession: to keep on digging up dark memories of the city, in the hope of rising above the psychic traumas of the past not reborn, but newly wise.
Saul Austerlitz, "The Atlantic"
If Ellroy s bitter visions entice you, "Perfidia"will take you once again to the underbelly of American history. . . . You will dive into"Perfidia"with a shiver that is equal parts anticipation and fear because you know it's going to get very dark very fast. . . . Ellroy s singular style has been described as jazzlike or telegraphic; here it is insomniac, hallucinogenic, nightmarish.
Colette Bancroft, "Tampa Bay Times
" Big, brash and overpowering, this will appeal to fans of Ellroy's terse, lurid style.
Randy Cordova, "The Arizona Republic," Book Pick of the Month
Ellroy has a way of giving gravitas to ugliness and making brutality beautiful. . . . To see him operating this way, full of power and totally in his comfort zone, is an awesome thing to behold. His LA might not be a city of angels, but the devils he conjures up tell one hell of a tale. . . . ["Perfidia" is] epic in its depth and evocation of an ugly time and an awful place that, with its sheen of youth and beauty, is too often made glossy and innocent in our memories.
Jason Sheehan, "All Things Considered"/NPR
A great read. . . . "Perfidia" is a murder mystery, a subversive historical novel, and a dark meditation on power, politics, race and justice.
Mark Lindquist, "The Seattle Times
" Densely plotted and fast on its feet. . . . [A] sinister and wildly entertaining universe.
Chris Vognar, "Dallas Morning News"
[The L.A. Quartet] may be the ne plus ultra of noir, grittier than Chandler, more operatic than Hammett, and more violent even than Cain. . . . Ellroy whittles [his characters ] thoughts and actions into sentences the way others do shivs lean, brutalist, and intended to puncture, to penetrate.
Chris Wallace, "Interview" magazine
Compelling. . . . A triumphant return to the violent fictional world where he started 1940s Los Angeles.
Andrew Neather, "The Evening Standard "(London)
There has"never"been a writer like James Ellroy. Since the Eighties, in novels such as "L.A. Confidential" and "The Cold Six Thousand," he has been making real a secret world behind the official history of America, where bad girls mingle with very bad men, and the designs of murderers, cops, mobsters, movie stars and politicians can be equally callous, equally deadly. He melds racial invective, street slang, hepcat jazz talk, junkie jive and scandal-rag rants into prose of controlled intensity, and to enter it is to experience a vivid eyeball rush of recognition.
Chris Harvey, "The Telegraph "(London)
" Perfidia"brings the two sides of his work together: the period crime-writing of"LA Quartet," with its highlighting of police misdemeanours, and the wider politico-historical concerns of his subsequent"Underworld USA"trilogy.
"The Guardian "(London)," " Essential New Fiction
Masterful storytelling on an enormous scale. Nobody does it like Ellroy.
Joshua Chaplin Sky, "LitReactor"
["Perfidia"] is a war novel like no other. It s complicated, and the author wouldn t have it any other way. There's no telling the good guys from the bad in Ellroy s Los Angeles, because there are no good guys. . . . Ellroy is not only back in form he s raised the stakes.
"Kirkus Reviews," starred review
A return to the scene of Ellroy s greatest success and a triumphant return to form. . . . His character portrayals have never been more nuanced or dare we say it sympathetic. . . . A disturbing, unforgettable, and inflammatory vision of how the men in charge respond to the threat of war. It s an ugly picture, but just try looking away.
"Booklist," starred review
A sprawling, uncompromising epic of crime and depravity.
"Publishers Weekly""
"Perfidia is a brilliant, breakneck ride. Nobody except James Ellroy could pull this off. He doesn't merely write he ignites and demolishes.
Carl Hiaasen
[Ellroy s] style jumpy, feverish, and anarchic mirrors the world we enter. . . . The police are not knights, they re occupiers, and in Perfidia, Ellroy comes closer than ever to making the case that he writes alt-histories not of the Los Angeles police but of the Los Angeles police state. . . . [He] depicts with frightening authenticity how those innocent of crimes are knowingly framed in the interest of the almighty greater good .
Dennis Lehane, The New York Times Book Review
The unmistakable product of James Ellroy s fevered imagination.. . . Perfidia shows us the war on the home front as we have never seen it before. The result is both pure, unadulterated Ellroy and a darkly compelling deconstruction of the recent American past. . . . [It s] written in a familiar staccato style that delivers large amounts of information in extremely compressed form. The violence, which is frequent and horrific, is described with a clinical exactitude that never flinches. And the entire enterprise is colored by an instantly recognizable tabloid sensibility. . . . Like it or not, believe in it or not, this is James Ellroy s America, and it is a savage, often frightening place.
Bill Sheehan, The Washington Post
Ellroy successfully spins a drug-alcohol-and-nefarious-deeds-fueled wartime web of double-dealing betrayal, insidious activities, and gruesome atrocities. . . . . It s tough and ugly and infuriating and relentlessly readable. . . . [His] often-staccato prose is as jumpy as the time period and the fact that we see or hear about the same incidents from different and differing viewpoints enhances that sense of unease and distortion. But the narrative is tautly held together by the ongoing police procedural and by several primary characters.
Daneet Steffens, The Boston Globe
A powerful roar of a story with wonderfully flawed characters and a richly conceived plot that will keep you turning every last one of its 700pages. . . . This stunning novel resonates throughout with the dark vibe ofnoir. . . . The story is wickedly elaborate, its plotting brilliant.. . . Kudos to Ellroy for elevating the crime genre with this raucous, sprawling, political beast.
Zoe Ferraris, San Francisco Chronicle
[The first L.A. Quartet] made Ellroy America's best crime novelist, a terse, staccato, Bukowskian demimonde poet. . . .Perfidiarepresents new depth, scope, and craftsmanship in James Ellroy's canon. It is his finest work. You'll wonder how he can top it.
Tim Stegall, Austin Chronicle
A historical novel, stippled with authentic details of that not-very-innocent era, disguised as a first-rate mystery novel.
Fred Grimm, The Miami Herald
It is welcome news that Ellroy s latest effort, Perfidia, returns home, sliding in as a prequel to the L.A. Quartet, set in the previous decade. Ellroy s revisionist impulse is to complicate the patriotic unity of the wartime years much as he undid the myth of placid postwar Los Angeles. . . . What lies ahead, as Ellroy presses deeper into the war years, is anyone s guess, but like his protagonists, he is driven by a paradoxical obsession: to keep on digging up dark memories of the city, in the hope of rising above the psychic traumas of the past not reborn, but newly wise.
Saul Austerlitz, The Atlantic
If Ellroy s bitter visions entice you, Perfidiawill take you once again to the underbelly of American history. . . . You will dive intoPerfidiawith a shiver that is equal parts anticipation and fear because you know it's going to get very dark very fast. . . . Ellroy s singular style has been described as jazzlike or telegraphic; here it is insomniac, hallucinogenic, nightmarish.
Colette Bancroft, Tampa Bay Times
Big, brash and overpowering, this will appeal to fans of Ellroy's terse, lurid style.
Randy Cordova, The Arizona Republic, Book Pick of the Month
Ellroy has a way of giving gravitas to ugliness and making brutality beautiful. . . . To see him operating this way, full of power and totally in his comfort zone, is an awesome thing to behold. His LA might not be a city of angels, but the devils he conjures up tell one hell of a tale. . . . [Perfidia is] epic in its depth and evocation of an ugly time and an awful place that, with its sheen of youth and beauty, is too often made glossy and innocent in our memories.
Jason Sheehan, All Things Considered/NPR
A great read. . . . Perfidia is a murder mystery, a subversive historical novel, and a dark meditation on power, politics, race and justice.
Mark Lindquist, The Seattle Times
Densely plotted and fast on its feet. . . . [A] sinister and wildly entertaining universe.
Chris Vognar, Dallas Morning News
[The L.A. Quartet] may be the ne plus ultra of noir, grittier than Chandler, more operatic than Hammett, and more violent even than Cain. . . . Ellroy whittles [his characters ] thoughts and actions into sentences the way others do shivs lean, brutalist, and intended to puncture, to penetrate.
Chris Wallace, Interview magazine
Compelling. . . . A triumphant return to the violent fictional world where he started 1940s Los Angeles.
Andrew Neather, The Evening Standard (London)
There hasneverbeen a writer like James Ellroy. Since the Eighties, in novels such as L.A. Confidential and The Cold Six Thousand, he has been making real a secret world behind the official history of America, where bad girls mingle with very bad men, and the designs of murderers, cops, mobsters, movie stars and politicians can be equally callous, equally deadly. He melds racial invective, street slang, hepcat jazz talk, junkie jive and scandal-rag rants into prose of controlled intensity, and to enter it is to experience a vivid eyeball rush of recognition.
Chris Harvey, The Telegraph (London)
Perfidiabrings the two sides of his work together: the period crime-writing ofLA Quartet, with its highlighting of police misdemeanours, and the wider politico-historical concerns of his subsequentUnderworld USAtrilogy.
The Guardian (London), Essential New Fiction
Masterful storytelling on an enormous scale. Nobody does it like Ellroy.
Joshua Chaplin Sky, LitReactor
[Perfidia] is a war novel like no other. It s complicated, and the author wouldn t have it any other way. There's no telling the good guys from the bad in Ellroy s Los Angeles, because there are no good guys. . . . Ellroy is not only back in form he s raised the stakes.
Kirkus Reviews, starred review
A return to the scene of Ellroy s greatest success and a triumphant return to form. . . . His character portrayals have never been more nuanced or dare we say it sympathetic. . . . A disturbing, unforgettable, and inflammatory vision of how the men in charge respond to the threat of war. It s an ugly picture, but just try looking away.
Booklist, starred review
A sprawling, uncompromising epic of crime and depravity.
Publishers Weekly"

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