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Table of Contents

Preface x Introduction xiii PART ONE Photography's Double Invention 1 CHAPTER ONE The Origins of Photography (to 1839) 3 CHAPTER TWO The Second Invention of Photography (1839 - 1854) 23 PART TWO The Expanding Domain (1854 - 1880) 74 CHAPTER THREE Popular Photography and the Aims of Art 77 CHAPTER FOUR Imaging of the Social World 97 CHAPTER FIVE Science and Social Science 141 PART THREE Photography and Modernity (1880 - 1918) 160 CHAPTER SIX The Great Divide 163 CHAPTER SEVEN Modern Life 201 PART FOUR A New Vision (1918 - 1945) 230 CHAPTER EIGHT Art and the Age of Mass Media 233 CHAPTER NINE Documentary Expression and Popular Photography 277 PART FIVE Through the Lens of Culture (1945 - 1975) 308 CHAPTER TEN The Human Family 311 CHAPTER ELEVEN The Cold War Era 337 PART SIX Convergences (1975 to the Present) 392 CHAPTER TWELVE Globalism, Technology, and Social Change 395 CHAPTER THIRTEEN The Culture of Critique 437 CHAPTER FOURTEEN Into the Twenty-First Century 493 Epilogue 519 Glossary 520 Picture Credits 524 Timeline 526 Notes 531 Bibliography 541 Index 545

About the Author

Mary Warner Marien is Professor Emerita in the Department of Fine Arts at Syracuse University, New York. She continues to lecture in the United States and Europe and in 2008 won an Andy Warhol Foundation Arts Writer award for her continuing work on the history and theory of documentary photography. She is the author of Photography and its Critics (Cambridge University Press, 1997) and 100 Ideas that Changed Photography (Laurence King, 2012) as well as numerous articles on photography.

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