Table of Contents

Introduction
1. Tracing the Double Erasure
2. The Aesthetics of Care
3. France's "Dark Years"
4. Romania's Horizons of Hope and Despair
5. The Spectrum of Apartheid in South Africa
Conclusion: Heretic Visions, Responsible Futures

About the Author

Mihaela Mihai teaches political theory at the University of Edinburgh. Her research focuses on political memory, art and politics, social epistemology and political emotions.

Reviews

"Elegantly written and masterfully argued, Mihai's book contributes to debates about the critical role of art in resisting systemic violence and its political oblivion. With outstanding theoretical sophistication, exceptional interdisciplinary breadth, and remarkable empirical depth,it theorizes critical artistic practices as forms of mnemonic care for healthy hermeneutical climates. This book is a must-read for anyone interested in the difficult work of resisting the mystification of the past and working toward social justice."—José Medina, Northwestern University "An eloquent and pathbreaking work of political theory that is deeply engaged with history and culture. Resolutely interdisciplinary and comparative, it provides stunningly illuminating insights into the everyday forms of complicity that prop up unjust regimes and the ordinary forms of resistance through which citizens contest domination."—Michael Rothberg, University of California, Los Angeles "Mihai once again challenges received wisdoms about the right way for nations to deal with histories of systemic violence. She makes a compelling case for messier, less triumphalist narratives of the past in favour of the ethical ambiguity of how resistance and complicity actually unfold."—Danielle Celermajer, University of Sydney "Mihaela Mihai has written a daring book that transcends disciplinary, linguistic, and national boundaries."—Catherine Guisan, Contemporary Political Theory "Mihai's book shows us how to understand action differently. In the present moment, as we struggle against the writing of political memory within enclosed perceptual experiences and hermeneutics, we might draw from Mihai's theorization of mnemonic care."—Sue Shon, Krisis: A Journal for Contemporary Philosophy "With Political Memory and the Aesthetics of Care... Mihai not only offers a rich resource for scholars working on questions of complicity and implication across different fields and disciplines – from history, to sociology, to political theory and philosophy, to memory studies, and to comparative literature among others. She also lays the foundation for new and deeper critical inquiries into the ethical demands and political stakes of studying complex involvement in violence."—Sofía Forchieri, CLCWeb: Comparative Literature and Culture "In an argumentative tour de force, Mihai manages to dislocate petrified demarcation lines 'between the good and the bad, to reveal the relationality that underpins even the most exemplary practices of resistance'."—Maria Alina Asavei, The Review of Politics "Mihai explores conflict situations where moral impurities and ambiguities are entrenched in practices of resistance. She offers a sharp critique of the moralizing and absolutist discourses of political struggles and provides us with a vocabulary for thinking about unsaintly resistance in the face of injustice. Mihai's analysis, in essence, provokes thoughts on the ideas of complicit resistance and resistant complicity in the aftermath of violence."—Sakiru Adebayo, Identities "Mihai's book is revelatory."—Lawrie Balfour, Identities "Political Memory and the Aesthetics of Care is a thought-provoking meditation on the potential of artistic practices to contribute to the ongoing work of coming to terms with the past in transitional societies, following a history of state violence."—Andrew Schaap, Identities