Introduction: The portrait and the novel 1 The portrait in public 2 Exchanging ‘dear self’: The miniature portrait in the novel of sensibility and the Gothic 3 Visual and verbal caricature 4 Jane Austen: The subjectivity of ‘likeness’ 5 Sir Walter Scott: Reworking the Gothic portrait, Conclusion: ‘The very thing itself’

About the Author

Joe Bray is Senior Lecturer in English at the University of Sheffield, UK.

Reviews

"Bray’s specific readings ... are exemplary and provide solid ground for further study. His attention to the concepts “likeness” and “character” is especially effective."- Marie Lathers, Case Western Reserve University, Cleveland, OH, USA in European Romantic Review (2017)

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About the Author

Reviews